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A Fuse #8 Production
Inside A Fuse #8 Production

Review of the Day: Heroes of the Valley by Jonathan Stroud

Heroes of the Valley
By Jonathan Stroud
Hyperion (an imprint of Disney Book Group)
ISBN: 978-104231-0966-2
Ages 10 and up
On shelves now

Jonathan Stroud simply is not a fan of innocent protagonists as pure as the newly driven snow. He has little patience for innocents as main characters. No time for guys like Harry Potter or Frodo, who find themselves thrust into dangerous situations that were not of their own making. Give Stroud a nicely corrupt kid or a wildly headstrong hero any day of the week. Having burst upon the juvenile writing scene with his breathtaking Bartimaeus trilogy, Stroud now scales himself back a little with a slightly more conservative fantasy going by the name Heroes of the Valley. Masquerading as yet another boy-shepherd-learns-how-the-world-really-works tale, Stroud’s newest book may seem to tread a well worn path but in fact it has all the zip, panache, and intelligence you would expect of the man who made footnotes a literary technique (outside of Pale Fire and Jonathan Strange, of course . . .). It has a slow start, but stick with Heroes of the Valley and you will discover a smart bit of storytelling that knows how to suck in its readership.

Halli has grown up hearing the stories. How the heroes of the Houses in the valley drove back the horrible monstrous Trows and that’s why no one can ever leave the valley again. Halli yearns for those old days, when violence and fighting could solve problems, particularly since in this current world Halli stands out. He is rough and short and ugly and prone to getting into trouble. Pranks come to him easily, but when a particularly keen one leads to the death of someone he loves, Halli vows to avenge the murder. Yet the boy has no idea what lies in store for him, or just how important it will be to remember those old stories and find out the truth (and lies) behind them.

Trying to compare Heroes to other children’s books isn’t difficult, but I did find that it broke certain rules. Like Taran from the Prydain Chronicles), Halli yearns for battle and glory. As such, the first half of this book takes on a distinctly Don Quixote flavor, with Halli in both the role as the deluded would-be knight and his much put upon squire. Halli meets odd characters, goes against all rhyme, reason, and sense and then only finds himself facing the truth about the world around him when given exactly the thing he has been searching for. This is a quest novel where the quest keeps changing. If it reminded me of anything it was of the smart fantasy writing of Nancy Farmer in her The Sea of Trolls. But it’s hard to find anyone to compare to the hero in this book.

Generally as heroes go, usually they can at least fight a little bit. But Halli, aside from being one of the uglier bandy-legged protagonists out there, is both short and incapable of fighting someone. To his credit, he’s pretty good at escaping from death (though in truth a lot of that is probably due to the fact that swords pass a fair foot above his head half the time). But how many books have you read where the hero’s short legs prevented him from making a clean escape time and time again? It’s kind of novel, really.

And now let’s talk about female characters a bit, shall we? For all that Stroud likes his boys flawed and wretched, he does a darn good girl. This may not sound too remarkable. Many a fantasy writer for kids knows how to write strong women characters. But I would go so far as to say that male fantasy writers for kids almost always make those same girls humorless. Not always (a tip of the hat to Neil Gaiman here) but more often than I would like. Not Stroud, though. No sir, when you first meet Aud she is falling out of trees, laughing, and mocking Halli in a truly humorous fashion when his ridiculousness comes to be too much. Aud is the daughter of one of the lords from another House. She has all the spunk and verve you would expect, but that’s not extraordinary. I was far more interested in how funny she could be. It’s a trait that serves her well in the tale.

There is an interesting lack of religion or spirituality to this book’s world, which is probably a necessity for many a children’s author (Fly by Night aside). It also makes one of the book’s central themes stand out without raising too much controversy. I doubt very much that you will hear that a parent has attempted to ban Heroes of the Valley because the story argues vehemently against a blind allegiance to past beliefs and ideas. The slow reveal of the truth behind the stories Halli has loved for so long grows more delicious as the tale carries on. There is much to be said here about cultural traditions and a society that fails to question its own rules from time to time. Consider Halli the Harry Beaton of his own private Brigadoon.

The writing itself proves to be similar to the Bartimaeus books, even if the story is so vastly different. Stroud excels at ending a chapter on a tense note. There’s a wonderful moment when Halli leaves a sick man’s bedside, convinced that the fellow (who wants to kill him) is helpless. Then, in the dimming light, all Halli hears is the sound of a mattress that has just had a weight removed from it. Coo. Aside from basic competencies in producing a strong plot, metaphor, storyline, and smattering of character development, Stroud is also keen in including small amusing asides. At one point Aud and Halli are discussing various Heroes from he past and she makes a reference to how one of them came home with some outlaws’ heads in a little string bag. Halli says, "A little string bag? . . . Sounds a bit girly. Who did that? Arne?" Aud replies, "No, no, I think it was Gest, or one of the other rubbish ones." I don’t know why but I love that little throwaway scene. These two characters are in the midst of a serious conversation and Stroud has the wherewithal to include a dash of humor. It’s a pretty British move, and more than welcome considering the circumstances.

I run a homeschooler bookgroup, and my kids recently complained to me about fantasy novels that are parts of a series. For once they wanted to read something that could stand on its own. Now insofar as I can tell, Heroes of the Valley isn’t slapping large signs that say "VOLUME ONE" all over its covers. And when you read the book it certainly remains self-contained, without any difficulty. But that ending . . . oh, don’t worry. No spoiler alerts here. I won’t say a thing except that it certainly wouldn’t be impossible if Stroud felt inclined to go about making a sequel or two in his spare time. There certainly is more story to tell, and I for one would be first in line to buy if he felt inclined to carry on.

I was a little perturbed to find that one of the book’s major villains takes his leave of this earth off-screen, so to speak. Seemed a bit unsporting of Stroud. And there is also the little matter of the book’s beginning being so slow. My advice is to encourage child readers to strive ever on. In fact, by the end of the story you will find yourself hard pressed to pry the title from well-clenched hands. I came within an inch of missing my subway stop the other day because I had had the misfortune to be reading Chapter 26 at the wrong time. All that aside, this is a fine frisky novel. A book that comes to a full boil about 3/4ths of the way in and is worth the wait. If you have ever wanted a fantasy for kids that shows a character learning and growing, this is one of the best examples I’ve found to date. Worth the reading. Extremely enjoyable.

On shelves now.

First Lines:
“Listen then, and I’ll tell you again of the Battle of the Rock.  But none of your usual wriggling, or I’ll stop before I’ve begun.”

Notes on the Cover:

Actually, the cover you see at the beginning of this review isn’t the American cover.  This is:

I’ve tried to find a nice way to say this and I have failed.  Saints preserve us, what is WRONG with you people?   I thought you wanted to sell books?  Was I just making that up?  Because first off, it looks as though a tornado is about to swirl through this scene and kill off Halli and Aud the first chance it gets.  Fun Fact: There is no tornado in this book.  Now you know I love a good woodcut/scratchboard/what have you.  But this is not the way to sell the book.  You want to show this scene?  Fine.  Close up on the malicious hounds about to get our heroes.  And all that brown?  Don’t you guys know that kids HATE covers with lots of brown?  As it currently stands this is not a good cover for a fantasy, folks.  Take a look at your fellows in Britain, why doncha:

See that?  THAT is exciting.  A kid might actually want to pick up and read THAT.  This is why I’ve made it the one I’m including here.  Because if you guys don’t want to sell your own books then at least let me give it a shot. 

Heck, even the German cover is cool:

Other Blog Reviews:

Other Online Reviews:


  • While I like all our "Guys Read" or "Guys Lit Wire" sites here in the U.S., the U.K. has us beat in the moniker department.  They have a blog called Boys, Blokes, Books and Bytes, which is all about middle grade boy books.  They’ve also interviewed Mr. Stroud relatively recently.  Take a gander.
  • Is it a series?  Read this Educating Alice post and you will see that the author himself doesn’t believe that this is the first in the series.  We shall see . . . we shall see.
  • FYI, he’s on tour in the United States as of this review posting.  Read his December 30th post on his blog to see if he will be in your area of town anytime soon.
  • And, finally, the requisite Disney book trailer, reminding you who exactly is printing this book in the States.

About Elizabeth Bird

Elizabeth Bird is currently the Collection Development Manager of the Evanston Public Library system and a former Materials Specialist for New York Public Library. She has served on Newbery, written for Horn Book, and has done other lovely little things that she'd love to tell you about but that she's sure you'd find more interesting to hear of in person. Her opinions are her own and do not reflect those of EPL, SLJ, or any of the other acronyms you might be able to name. Follow her on Twitter: @fuseeight.


  1. Amy Sears says:

    I totally agree about the covers, way too boring a cover for kids to pick up on their own. I finally finished this despite being a big Bartimaeus fan it took quite awhile for me to get into this. It was worth it just slow going originally.

  2. Yup. My thoughts as well. I won’t be handing it to my reluctant readers, but to those dedicated souls I’ll insist that it’s worth it.

  3. I’ve been meaning to pick this (with exciting UK cover!) up for a while now, and must put it to the top of the To-Get-Hold of list now. Have you read any of his pre-Bartimaeus books? Totally different from those in tone, setting, everything. They seemed more in the Catherine Fisher to almost Alan Garner line to me, but nobody much seems to have read them.

  4. No, I have been meaning to, but I never really got around to them. Hopefully he will catch on more here in the States and they’ll consider reprinting his earlier work. Perhaps perhaps perhaps.

  5. The Brainlair says:

    My daughter doesn’t want to read the book because of the cover, no matter how much I told her about the great reviews!!

  6. The American cover or the British?

  7. Somewhere in Kansas says:

    Maybe they’ve researched the target audience in the US. Picked it up today, boring brown cover and all. Thanks for the the helpful reviews ( previews really) . The supposed tornado on the front cover? I didn’t notice it. Smoke or a dust devil ( right, in the middle of a grass field) Tornado, really?