Long before there was Lemony Snicket! - Amy Sears
I left this off my last list and have been kicking myself ever since. This was one of my favorite books as a child. Miss Slighcarp gave me the shivers! You just knew she was plotting something horrible as Bonnie’s cheerful parents left the children in her custody, and sure enough, she was. The wolves in the snow only add to the terror, and then we reach the workhouse where Bonnie and Sylvia manage to survive and deal with bullies, but only just. Simon the gooseboy with his little donkey makes a terrific ally, until at last the dastardly governess gets her comeuppance. What could be better than a fast-paced Dickensian adventure? – Kate Coombs
As a child I avoided The Wolves of Willoughby Chase for precisely the wrong reasons. Laughable reasons even. When I was young, girls were constantly falling for animal books. Cutesy dolphins. Adorable horses. And sweet little wolves. Me? I avoided such books like the plague. Ridiculously so, to the point where I looked at the image of the slathering Edward Gorey hellhounds on the cover of this book and honestly thought to myself “wolves = girly = bad.” I never said I was a bright child. Clearly I would have adored this book back in the day. One can only hope that there are brighter boys and girls out there willing to give a dark little title like this one a fair shake.
The plot according to AllReaders.com reads, “Soon after orphan Sylvia comes to live with her wealthy relatives, her aunt and uncle leave on an extended trip, leaving Sylvia and her spirited cousin Bonnie in the care of their governess, Miss Slighcarp. Bonnie’s parents are reported dead in a shipwreck, and Miss Slighcarp turns on her young charges, firing the household staff and sending the cousins away to an orphanage. Together, Bonnie and Sylvia must escape and try to reclaim their home.”
In a profile of Ms. Aiken from a November 1989 edition of Language Arts, it says that “Working at Argosy magazine for six years to support her family, Aiken learned the practicalities of professional writing. She then moved to the J. Walter Thompson London office and was a copywriter for a year when success with The Wolves of Willoughby Chase finally encouraged her to try full-time writing and she succeeded in making the transition.”
In the publication British Children’s Authors, Joan Aiken goes into a little more detail. “The first two chapters of Willoughby Chase were written when both my children were tiny, and then the book had to be put aside for almost ten years. By this time the children were much bigger, and I read the chapters aloud to them as I wrote. They made a lot of very useful comments and criticisms as we went along.”
She also makes no bones about her primary influence. “I think I got the idea for writing melodrama for boys and girls because when I was young, I had a great deal of Dickens read aloud to me. Of course, he is the prime example of this kind of melodrama. I think this had a very strong influence on my writing. The historical period of The Wolves of Willoughby Chase and the others is imaginary, although the trappings are all fairly genuine English nineteenth-century ones. This again, I think, was heavily influenced by Dickens. . . . The names of my characters have a strong connection with Dickens. Miss Slighcarp and Mr. Gripe, for example–this is the kind of name Dickens uses a great deal. A lot of my names, in fact, I tend to think of in dreams. I just leave the business to my subconscious, and it produces some fine names.” One wonders if J.K. Rowling works similarly.
In a way, this was the first book in a series too. As Ms. Aiken herself said, “When I planned Willoughby Chase I hadn’t thought at all of following it up with the other books. But when I finished it, I’d enjoyed it so much and my publisher seemed to enjoy it, that it seemed the natural thing to go on and write a sequel.” The books in general take place in an alternate history of Britain where James II never got deposed. Strangely, the series never seemed to ever acquire an official name. Some refer to it as the “Wolves Chronicles” but that title never really stuck. Maybe that’s why the books are not particularly well known here in America.
The subsequent books in the “Wolves” series include (and this is in narrative rather than publication order): Black Hearts in Battersea (1964), Nightbirds on Nantucket (1966), The Whispering Mountain (1968), The Stolen Lake (1981), Dangerous Games (1999), The Cuckoo Tree (1971), Dido and Pa (1986), Is Underground (1992), Cold Shoulder Road (1995), Midwinter Nightingale (2003), and The Witch of Clatteringshaws (2005).
This year, of course, marks the book’s 50th anniversary. We’ve seen a lot of celebrations out there for A Wrinkle in Time. It would be nice if someone properly celebrated this book as well.
The Fine Lines column in Jezebel took a long hard look at this book, and I am grateful. As Laura Lippman writes in it, “. . . if I could set up a system controlling for all my favorite things in books:
Orphans, real or de facto
Nature Boys, a la Dickon
Specialized Schools — a boarding school, a school for the performing arts, an orphanage or — the dream that I have yet to find — an orphanage devoted to the performing arts.”
School Library Journal said of it, “It’s a funny book. The language is so fantastically right.”
Said Time, “A masterpiece…a copybook lesson in those virtues that a classic children’s book must possess.”
For cover artists the idea of evil wolves is hard to pass up.
As always I love the theatrical posters.
And artist Julianna Swaney made her own book jacket image, which I quite like.
I started watching the trailer for the 1989 movie of this book with a smirk upon my face. But as it goes on, it gets quite exciting. It runs the risk of giving away the entire story, but all in all this appears to be a pretty faithful adaptation of the original book. Here’s the trailer.
Extra Fun Fact: Richard O’Brien, normally known as Riff Raff from Rocky Horror Picture Show, is in this film. That almost makes me want to rent it right there.