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A Fuse #8 Production
Inside A Fuse #8 Production

Could It Be Published Today?

This past Saturday I hosted a Children’s Literary Salon at the main branch of NYPL that discussed the past, present, and future of children’s book publishing. It was a stellar line-up, moderated by author Jane Zalben. To kick off the panel discussion, the panel was asked a question that has been posed many times before but not always in this context.  Let us consider the case of Goodnight Moon.  Here we have a book that is often considered right up there with Where the Wild Things Are in terms of picture book popularity.  So the question is, could it be published today?

This type of question is raised fairly regularly on the internet.  It ranges from the sane (Rebecca: Could It Be Published Today?) to the ridiculous (Could The Hunger Games Be Published Today?).  It is usually raised to highlight changes in the publishing industry.  Then vs. now.  The distant (or maybe not so distant) past and our much improved/much impoverished present.

What made this discussion so interesting to me was how it examined the publishing history of Goodnight Moon itself.  I was aware that it wasn’t a hit when it came out.  It just didn’t make the sales, which seems ridiculous at first glance.  What could the public have had against it?  But Leonard Marcus made it clear that the book was, itself, a bit of an anomaly.  It was a pre-schooler / toddler title in an era when that market simply didn’t get books of their own.  Public libraries, the major buyers, weren’t set up to cater to the very young, and books for that age range didn’t normally exist.  So Margaret Wise Brown’s book came out and missed its mark.  It wasn’t until at least five years had passed and a columnist recommended it that the sales started to take off.

The takeaway from all of this is the difference in how long books were allowed to stay in print back then vs. today.  These days if you don’t make back your advance in two years (at least) it’s to the out-of-print dustbin with your remainders.  Back then a book had a bit more of a chance to find its audience.  And as any children’s librarian who has had to deal with summer reading lists from schools will attest, five years is sometimes precisely how long it takes for folks to discover a book.

All this is a roundabout way of saying that the question is impossible to answer because when we are discussion a genre, like picture books, it’s not as though they are published without owing something to their forbears.  Goodnight Moon set the tone for all the “quiet books” to come.  Bedtime fare was forever changed, and continues to be affected, by its presence in the marketplace.  The same could be said if we tried to consider if children’s books like Where the Wild Things Are or Harriet the Spy or The Phantom Tollbooth could be published today.  That said, it’s still fun to ask.  And then to look at books being published now, one wonders what books they’ll be saying this about in the future.

About Elizabeth Bird

Elizabeth Bird is currently the Collection Development Manager of the Evanston Public Library system and a former Materials Specialist for New York Public Library. She has served on Newbery, written for Horn Book, and has done other lovely little things that she'd love to tell you about but that she's sure you'd find more interesting to hear of in person. Her opinions are her own and do not reflect those of EPL, SLJ, or any of the other acronyms you might be able to name. Follow her on Twitter: @fuseeight.


  1. Any chance this was recorded for the masses?

  2. Clare Sweeney says:

    This is encouraging to me. I’ve written what has been described by a major publisher as a “quiet”children’s book myself. It caused me to wonder if it could even have a chance in the world of modern children’s books, but I decided to publish it myself. I believe that it will become one of those “quiet books” that parents will read to their children forever. Thank you.

  3. I remember writing an explication of sorts on this book ten plus years ago in library school. It seems like a simple quiet book, but once you peel the layers, you find that it’s pure genius. The change of color from dark to darker and the rhythmic text are the two most obvious points. And The Runaway Bunny strikes me as similarly perfect.