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A Fuse #8 Production
Inside A Fuse #8 Production

Fusenews: Debating Dapper Dandies

Happy Fusenews day to you, guv’nor.  In today’s episode we tip our hat to a post last week that is probably my most popular of all time.  Who knew knitting needles could be such lightning rods?  In any case, on with the newz!


 

boywhodrewHow old is the picture book biography as we know it today?  Recently I’ve been thinking long and hard about what its purpose is, as well as its limitations.  Jacqueline Davies has thought longer and harder in some ways, though, since her recent post Writers and the Real Estate Market takes a very personal look at the choices she made when she wrote The Boy Who Drew Birds.  She makes some remarkably interesting points about content and format.


 

Boy, it must be hard.  Every year, without fail, Marjorie Ingall (Mamaleh Knows Best) scours the publishing world for great Jewish-centric books for kids.  The pickings are almost always slim, but once in a while you get some really good biographies. Picture book biographies (I sense a theme to today’s post) no less.  The first is of the current Ruth Bader Ginsberg bio in the piece Teaching Kids the Value of Dissent and the other Rich Michelson’s most recent bio in Leonard Nimoy’s Fascinating Life.  Great books.  Great write-ups.


 

Librarians.  We have one of those professions where it’s pretty clear that whenever we appear in the news, 50% of the time it’s not about something good.  Case in point, the recent news about a thrifty library cataloger who donated $4 million to his employer after his death.  His employer, however, was a university library.  So, naturally, $1 million of that is going to a football scoreboard.  Some folks are less than entirely pleased with that development.


 

I mentioned it last week but I’m mentioning it again today because it’s a darn good cause.  If you don’t know about why authors and illustrators alike (as well as celebs like Al Roker and Nicole Kidman) are painting piggy banks for auction, you should fill yourself in here.  A good cause and you get art.  The bidding just started yesterday, so don’t be left behind. And I know I won’t get it, but this is my own personal favorite piggy:

bruelpiggy


 

I already read this four years ago, but with the recent passing of Gene Wilder I saw it included in a Chronicle Books newsletter and just couldn’t resist putting it up again.  It’s Gene Wilder’s handwritten notes on the changes he’d prefer to the Willy Wonka costume he was initially given.  Ole blue eyes himself.


 

Daily Image:

Maurice Sendak was initially going to design that old movie Return to Oz?!?  Apparently it never happened but he did create a publicity poster for the ad campaign.  Not that it really looks like any of the characters in the movie (I’m working on a couple theories on who the guy on the far right is) but in terms of the book Ozma of Oz, it’s not terrible.

sendakoz

Many many thanks to J.L. Bell at Oz and Ends for this image.  Yet another old post from 2012.  I’m having that kind of a day.

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About Elizabeth Bird

Elizabeth Bird is currently the Collection Development Manager of the Evanston Public Library system and a former Materials Specialist for New York Public Library. She has served on Newbery, written for Horn Book, and has done other lovely little things that she'd love to tell you about but that she's sure you'd find more interesting to hear of in person. Her opinions are her own and do not reflect those of EPL, SLJ, or any of the other acronyms you might be able to name. Follow her on Twitter: @fuseeight.

Comments

  1. The guy on the right is surely L. Frank Baum.

  2. Jeanne Birdsall says:

    Betsy, the Parnassus auction also has piggies painted by Yo-Yo Ma and Renee Fleming! Not that I’m encouraging people to outbid me or anything . . .

  3. thanks, Betsy!!