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Someday My Printz Will Come
Inside Someday My Printz Will Come

A romantic rendezvous

romance-roundupActually, this is a romantic roundup, but rendezvous sounded catchier. In the context of Printz reviewing, romance has actually fared well in recent years with both the RealCommittee and the Pyrite Committee (aka: all of us). I’ll Give You the Sun was the Real and Pyrite winner in 2015, and in 2014 Eleanor & Park was a Real and Pyrite honor.

This context is important because it’s proof that professional readers are recognizing straight-up romances that are also literary. Today, Sarah and I are looking at three books that may (or may not) have what it takes to bring love back to the winner’s circle.

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Railhead

railhead_cover_241x361Railhead, Philip Reeve
Switch Press, April 2016
Reviewed from ARC

Philip Reeve is underappreciated in the US. The Mortal Engines quartet was brilliant science fiction — pacy, philosophical, and heart-breaking. And then it was gone, apparently out of print. The prequel trilogy starring the incomparable Fever Crumb also failed to get as much traction as it deserved. Hopefully, the upcoming film of Mortal Engines will signal a rebirth of interest, and hopefully that will mean good things for Reeve’s latest, the unusual Railhead.

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Flannery

flanneryFlannery, by Lisa Moore
Groundwood Press, May 2016
Reviewed from a final copy

Here’s a title with three stars, coming at us from a small press. We’ve got realistic fiction — more Canadian fiction, actually (yeah, OK, I recognize that this is not actually a genre). Moore is an adult novelist visiting the YA landscape for the first time with an emotional, powerful look at love, friendships, family. And magic potions, there are also magic potions here. (Though no actual magic; it’s realistic fiction.)

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Mirrors and Manson: Another Morris Roundup

11-29-16There are some fun parallels between the two novels we’re discussing today. Both are debut novels from Ivy-league educated women with impressive resumes in other careers. Both books came out in June and have narrators who are teenage girls struggling to find their place in the world. They are also both strong contenders for the Morris Award. Compared to some of the current Someday favorites, these two probably won’t emerge as Printz contenders this year but there’s enough potential in each that we may see these authors in the conversation in years to come.

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The Thin Line

the-singing-bones-coverCover Girl Who Drank the MoonSnow White Ohelan cover

I’m going to cheat a little today, and deviate from our attempts to review in roughly calendar order.

Now that that’s out of the way, let’s talk about middle grade and YA and all ages and the fine line between the Newbery and the Printz.

We’ve had books on all ends snag awards, yes, but these are generally outliers (see: Navigating Early, Last Stop on Market Street, This One Summer). Generally, the Printz list is solidly YA, the Newbery middle grade, and the Caldecott goes to a picture book for ages 4-7. But here’s the thing: books aren’t nearly this clearcut in their appeal. And as always, we have a handful of books this year that seem tailor-made to defy easy age and award bracketing. Today I’m going to look at three of them (with an honorable mention of a fourth): Matt Phelan’s Snow White, Shaun Tan’s The Singing Bones, and Kelly Barnhill’s The Girl Who Drank Down the Moon. These aren’t the only potential line-blurrers: Joy’s Thanksgiving call for reader nominations raised Wolf Hollow (my honorable mention) and Some Kind of Happiness as possibilities, and the nonfiction this year is almost all on the cusp — and that’s just the ones I can name off the top of my head. But these three are the ones I see as having the most consensus as crossover books we might want to talk about, whether or not they actually have the legs to go the distance.

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Magical Realism

the-head-of-the-saint-coverA Fierce and Subtle PoisonMagical Realism is hot: It’s the label attached to last year’s Printz winner Bone Gap, and it’s been popping up all over the YA and MG scene for the past few years. This year, again, offers us a handful of books in the genre. I’ve read three so far that deserve to be in the awards speculation pool, and today I’m going to talk about two of them (the last one is a late fall pub so we’ll wait on that).

Magical Realism is realistic literature with fantastical or magical elements, but it’s something more, because that bare bones definition also covers a significant chunk of fantasy. If you extend the definition, two additional points are worth noting: first, the setting; and second, the way the magic is received. The top-billed magical realists are Latin American — Jorge Luis Borges, Gabriel García Márquez, Laura Esquivel, Isabel Allende — and their settings are Argentina, Colombia, Mexico, Chile. And in their books, the magic is not something apart — compare this to, say, Stiefvater’s Raven Boys quartet, where they all know the magic is strange, and, well, magical. Instead, in magical realist texts, the magic heightens the mundane and becomes an expression of emotion, rather than something characters step back and try to understand.

One of the two titles I’m discussing today reads to me like classic magical realism — no surprise, as it bears a dedication to Gabriel Garcia Marquez and is a Brazilian work, originally published in Portuguese and now translated into English. The second straddles the fantasy/magical realism line, but feels closer in its roots to magical realism than fantasy, so I’m going with the label.

Alright, enough introduction, and on to the books.

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The Steep and Thorny Way

steepandthornyway_cvThe Steep and Thorny Way by Cat Winters
Amulet Books, March 2016
Reviewed from a final copy

Not a roundup, not a Best Of list, not a bird OR a plane, it’s a review! With three stars and a shout out in the comments of our original list, this is historical fiction with a twist — a Hamlet-infused ghosty twist. This is not the only Shakespeare inspired fiction that we’ve looked at this year, and it’s certainly not the only historical fiction. What makes this a standout title? [Read more…]

Checking in with the mothership – SLJ’s Best of 2016

sljWith only six weeks left in 2016—an almost universally recognized dumpster fire of a year—the best of lists will release in a steady stream. We take the lists seriously because they can help us identify books that are beginning to have a strong consensus opinion, as well as books that may become a dark horse.

SLJ editors discussed a selection of favorites from their Best of 2016 list in a fun live stream (which you can view here and on KidLit TV). The full list will go live on SLJ’s website next week but you can download a PDF of all 66 titles now.

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Morris and Turner Contendas

Roundup photo by Flickr user Mike Mozart, CC license BY 2.0

Roundup photo by Flickr user Mike Mozart, CC license BY 2.0

Hello! It’s roundup time, today focused on contendas for awards other than the Printz.

One of these awards is a real actual award, the William C. Morris YA Debut Award; the other is imaginary but no less real in my heart. The Morris you all know about, of course, and we’ve been covering several debut/Morris contenders that we think are also Printz contenders; today I’ll be talking about some early 2016 debuts that I don’t think quite have the chops for the larger pool that is all YA, but are good enough to have been potentially on the table for the Morris committee. The other award I’m speculating about is the  imaginary — but needed! — Meghan Whalen Turner Award for Best Completed Series.

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College Applications

enter_title_final_revealthanks-for-the-trouble-9781481418805_hrJoy just wrote about authenticity and the way a You Read can find you at just the right time and be the book you need. I don’t need to tell you all about that, you already know; that’s why you read blogs about books, and talk about books, and tell other people about books. She also talked about how sometimes a personal reaction to a You Read can make it tricky to really assess a book — it’s like the positive version of baggage. So I have two reads here that have an awful lot in common — they’re both fictional takes on a novel-length college admissions essay, but they go in wildly different directions, feel like totally different reads, and I’m having completely different reactions to them. These differing reactions are (I suspect) a lot more about me than the books. Which is of course the opposite of what Real Committee members are supposed to be doing (or even what we’re supposed to be doing here at the blog).

A small housekeeping note: I’m jumping a little out of line with this post, because we’re working our way chronologically through the year (more or less), and one of these is actually a summer book. Apologies to purists, but they’re too intriguingly similar and dissimilar to not connect. [Read more…]