Marilyn Nelson, author of the 2006 Printz honor book A Wreath for Emmett Till, is responsible for what may be this year’s most unique contender, pairing two genres only occasionally spotted in the YA world — memoir and poetry — to make a whole that is notable and worth recognizing. [Read more...]
Karyn talked about the emotionally powerful Two Boys Kissing last week, and at the risk of completely echoing her review, I had such a similar reading experience with Courage Has No Color, which moved me to tears. The Triple Nickles dealt with racism in the army and at home, all while training to defend a country that wanted to keep them segregated. They worked extremely hard, made great sacrifices, and after all they endured, the men of the 555th Parachute Infantry Battalion were never sent overseas to use their considerable skills in combat. I came away from that first reading feeling bitter and inspired, and I had very favorable things to say about the book overall. And now? I still have favorable things to say, but I don’t think this is a book we’ll be seeing in the winner’s circle come January.
I was diagnosed with Celiac disease on Halloween eight years ago. That’s eight years of politely saying, “no, thank you” when offered a delicious pastry, forgoing mom’s signature stuffing on Thanksgiving, and checking restaurant menus ahead of any dinner out with friends. As anyone with food issues can tell you, the hardest part of having a restricted diet is adjusting socially and emotionally. Lucy Knisley perfectly defines the value of food in Relish: “When we eat, we take in more than just sustenance.” She’s actually describing the cultural immersion through food she experienced in Japan, but the statement resonates because it’s about the complex role of food in our lives.
Relish has only received one star (from Publisher’s Weekly), but it’s one of my favorite titles of the year. Yeah, it speaks to me because I have a lot of complicated emotions about food, but it’s also charming and witty, earnest and playful, and it has illustrated recipes that will make you want to run to your kitchen and start cooking.
Karyn wrote about the long slog of winter break reading just before a conference/blog deadline. I understand her image, but I think I spend winter break/early January more like a muppet: waving my arms around in a flurry of indecision (and, sometimes, stress because I’ve put off so much committee reading. Blerg!); now’s the time when we’re supposed to be firming up our thoughts on books and able to talk intelligibly about the year as a whole and how any given title fits into it. (Uh, but no pressure, right?)
I actually spent a good portion of my own break trying to catch up, at last, on the nonfiction books on our contenda list. I got to read about deadly diseases (well, one), certain death in the Arctic (well, practically certain!), and a young woman’s experience of the civil rights movement. These are all strong books — engaging reads, beautifully designed (I think; I actually read two of these titles as ebooks, so I’m making a few assumptions based on what I saw on my phone screen and what other people have said), important and enduring subjects — so if the Printz process is about winnowing down, I definitely have my work cut out for me! [Read more...]
One of the things that no one believes when I say it is that I read less on winter break than any other time. There’s just no time — my kid stays up too late, we’re always visiting family or being visited, and if I manage to finish a book it’s a miracle.
And actually, my kid staying up late and visitors? Those are just excuses. Because really what happens is that I burn out. For 7 out of the past 10 years, my reading life has centered on a late January deadline, and my reading selection has been dictated not by my own whims and tastes but by the necessities and vagaries of nomination lists, whether official YALSA lists or our own contender list.
And when late December comes, and all my colleagues and friends talk about all the books they plan to read over break, I feel sad. Because what I have left to read at this point is a pile of books I’m just not that excited to read — that’s how they ended up at the bottom of the pile, after all. A few late additions to the list of must-reads might spark my interest, but my reading at this point is so purpose driven that I don’t feel like I can take the time to finish anything I can’t defend as a necessary read — these days, that means anything that falls below the top 20 or so books I’ve read this year feels like gross indulgence when there are other books clamoring to be read before the YMA announcements. This year, I’d really like to have read the winner and any honor books before they are the winner or honor books!
Mind you, I’m not complaining — all those committees were AMAZING experiences, and Someday is a dream come true. But everyone I know who has served on a selection or award committee has felt this burnout. And it probably colors how I read books that I come to for the first time this late in the award season, and certainly is one of the hazards of committee work.
When I say, “World War II espionage” which 2012 young adult title comes to mind?
Yeah, I know Code Name Verity is the big name in this conversation, but Bomb is a gripping spy story in its own right.
There are three main threads of Steve Sheinkin’s book: the American effort to build the atomic bomb, the Allies attempts to sabotage German advances towards the atomic bomb, and the Russians’ work to steal the plans for the atomic bomb. Sheinkin has taken something sprawling and complex and molded it into a nonfiction title that reads like an epic action movie. (Seriously, read the chapter on the destruction of the German heavy water plant in Vemork, Norway and tell me you don’t imagine this scene from Inception.)
Sheinkin nails action pacing and easily incorporates real quotes from the people involved. He also makes physics and atomic theory, which would normally make my brain hurt digestible by introducing the theory in the context of actual experiments conducted prior to and during the Manhattan Project.
That juxtaposition of fiction style with nonfiction content characterizes the entire book. Bomb oozes style, and it’s the book’s greatest strength — and greatest weakness. Sheinkin has a firm command of fast pacing, snappy dialogue, and multiple storylines, which create a massively appealing read. With descriptive language and clever plot juggling, Sheinkin creates the atmosphere of life as a wartime spy (or a bomb-building physicist); it’s dangerous and exciting. This effective world building and use of stylistic tools create a book that feels light.
Dare I say it? Bomb is, at times, too easy.
With five starred reviews, this was an easy auto-contenda to spot. Rappaport looks at the active, heroic roles Jewish people played during the years of the Holocaust. She shares 21 stories — many involving teens and young children — of the Jewish Resistance that took place across Europe during the Second World War. In a year that has been tremendous for nonfiction writing for teens, this is an important title. It’s a memorable read, and it’s a beautiful book. In the end, though, I don’t think I would be able to make the case for Beyond Courage if I were sitting at the Printz table on the RealCommittee. [Read more...]
Occasional guest blogger Joy Piedmont is back! She (unlike, say, Karyn) likes to read nonfiction, and has OPINIONS about it. Thoughtful, considered opinions. Making her a perfect candidate to guest write as we try to catch up on our nonfiction 2012 piles. So, with no further ado…
What is good nonfiction?
I know, I know; you came for a review and I’m hitting you with the big questions right up front. Apologies.
Right, so, good nonfiction.
Actually, it’s what any good book is: engaging, honest (factually and/or artistically), moving. Reading isn’t just the consumption of information, it’s an act that must change us, even in a small way. Good books should force us to question, to cry or to shout; we should be moved. Good nonfiction can put you under a spell and make the real unreal. (And isn’t this the inverse of good fiction, making the unreal real?) Good nonfiction, like fiction, is transformative.
When we consider this in light of the Printz, there is no reason why nonfiction can’t be in the conversation, and 2012 has been a particularly good year for YA nonfiction.
Well, perhaps less of a round up than an offering of two books — two books that I don’t think will go the distance in PrintzLand (although of course only time will tell). We’re looking at the Freedman book on Lincoln and Douglass and the Aronson book on J. Edgar Hoover. My problems with each are…interestingly contradictory, I’m afraid. (And in my struggle to work through all of this, I find myself wishing I could just link to all the amazing, inappropriate, unhelpful but hilarious videos I can find. Forgive me, you guys. And thanks, Spielberg, for releasing a movie at the perfect moment for this blog post. How timely that Lincoln is so zeitgeisty.)
And at the risk of destroying all blogging creditability up front, I will also admit that nonfiction is not at all my area of reviewing expertise. I was a history major in college, but that was a long time ago, and I don’t feel entirely comfortable looking at nonfiction from a literary perspective. Of course in PrintzLand we start and end with Printz policies and procedures. But in an effort to feel a little more prepared to write this blog post, I also took a look at YALSA’s Excellence in Nonfiction Award policies. “The title must include excellent writing, research, presentation and readability for young adults.” OK, check. Do you feel ready? [Read more...]
We’ve done a lot of writing about contendas this year, but you may have noticed that non-fiction has been absent so far. As a matter of fact, our own Mark Flowers emailed wondering “whither the nonfiction, bloggers?” And just as we were turning his question right back on him in the form of an invitation to do a guest post, he wrote a thoughtful and astonishingly complete post about awesome nonfiction reads for The Hub.
We definitely depend on you guys for NF recommendations; Karyn and I both have our baggage, afterall, and need people to pick up our slack/keep us honest. Mark’s got a great line up there, and there’s some stuff I’m really looking forward to tracking down. Steve Sheinkin’s Bomb: The Race to Build — and Steal — the World’s Most Dangerous Weapon and Catherine Reef’s The Bronte Sisters sound fascinating (how’s that for a unique pairing?). Oooh, and Marching to the Mountaintop by Anne Bausum has a description that’s caught my eye a couple of times. Perhaps next time I’ll remember when I’m actually at a library?
What about you guys? What stellar nonfiction have you been reading?