Like Joy, I’ve got a double feature: two titles with strong reviews (My Name is Not Friday has three stars; The Bitter Side of Sweet has four), good writing, and memorable characterization. These two titles are both important reads. But are they Printz contenders? [Read more…]
When we compiled our list of 25 contenders, we skipped Salt to the Sea. But not because we hadn’t read it: I read it back in late 2016, and even gave it four stars on Goodreads.
However, the longer I get from reading this one, the more I tend to feel an eye roll coming on when I consider its merits. This is maybe just me, though, because this was one of two titles mentioned repeatedly in the comments on the list, it’s a bestseller, and it received three starred reviews. [Read more…]
I’m not for sure where I’m landing in this review, so I guess I’ll have to write it and see where I end up. Ha, I guess I’m flying right now, and I’m hoping this review (or you all, in the comments) will catch me. I definitely loved this book, and feel like it’s continuing my tough lady reading streak this year. With four starred reviews, I know I’m not alone in that love. Johnston is a past Morris honoree, too, so I have no doubt RealCommittee is taking a careful look at this title. Exit is emotional and compelling, it has strong characters, often funny dialogue, and as a story it balances uncertainty and resolution very delicately and deftly. [Read more…]
How can I assess The Memory of Light in the context of the Printz Award?
In some ways, it’s too real, too honest, and too close-to-home. It’s also surprisingly uninteresting and predictable. I struggled with these contradictory reactions throughout the novel.
When I read YA books that romanticize depression or mental illness, I want to tear down the Internet with my frustration. Yet this novel, which is so accurate in portraying the complexity of depression, does not inspire me to erect monuments. I don’t mean to be facetious, but this book made me feel nothing at all.
So this year, I’m starting out with what I can only describe as the “out of left field contender of my heart.” I thought this would be a quick read that I’d be able to check off and move on from — maybe doubling it up with another title here. What can I say — I don’t always like stuff that’s shorter, and nonfiction is only sometimes my jam. And we’ve talked before about how it can be difficult to assess — and especially come to consensus on — anthologies and other mixed-author works. Working through each essay individually and then evaluating as a whole is hard enough on your own; persuading 10 other committee members to vote for an anthology can get tricky. So this is maybe also a shot-in-the-dark contender, but there’s so much that hits perfectly that I just can’t let it alone. [Read more…]
Have aliens been abducting Henry Denton since he was thirteen? Or has he been suffering from mental illness? Some days I believe the former; other days, the latter. But does it really matter?
We Are the Ants is about much more than the end of the world (although those doomsday scenarios were highly entertaining). Shaun David Hutchinson uses science fiction elements to get at themes that are highly realistic: grief, guilt, love, nihilism… actually, this book is packed with ideas and Hutchinson weaves them through a story in which the protagonist is largely passive.
Anna and the Swallow Man, Gavriel Savit
Knopf, January 2016
Reviewed from ARC
For the first posted coverage of the season, I thought I’d start with one of the earliest publication dates on our list. Anna and the Swallow Man came out in January. It had huge pre-publication push; we received at least 4 copies just to the school Joy and I work at, at least one of which was in a lovely paper slip cover. And it picked up three stars out of the gate (HB, The Bulletin, and PW): not a bad opening to the year. So does it live up to the hype or the buzz?
Traditionally, we’ve launched the season with our massive (like, 90 titles long) reading list, but when we open with the big list, we always end up regretting approximately one-third of the titles.
So this year, we’re going to share a shorter, not even slightly exhaustive list. Here are our top 25 titles, included either because we’ve already read them or because they’ve gotten all the stars (by which I mean 4 or more, marked with an asterisk) or because the author or description have us thinking these are likely to be worth the conversation.
Obviously, we won’t be reviewing only 25 books this season, and we have plenty of books we’ve read that probably won’t go the distance but are certainly worth a conversation and therefore a post. But here’s the 25 we’re most excited to talk about, alphabetized by title because that’s how we’ve been discussing them.
American Girls, Alison Umminger
As I Descended, Robin Talley
The Bitter Side of Sweet*, Tara Sullivan
Blood Red, Snow White, Marcus Sedgwick
Burn Baby Burn*, Meg Medina
Character, Driven*, David Lubar
Every Exquisite Thing, Matthew Quick
Exit, Pursued by a Bear*, E.K. Johnston
Golden Boys*, Sonya Hartnett
The Head of the Saint, Socorro Acioli
Highly Illogical Behavior, John Corey Whaley
The Lie Tree*, Frances Hardinge
The Memory of Light*, Francisco X. Stork
My Lady Jane, Brodi Ashton, Cynthia Hand, and Jodi Meadows
The Passion of Dolssa*, Julie Berry
Railhead, Philip Reeve
The Reader*, Traci Chee
Samurai Rising*, Pamela S. Turner
The Serpent King, Jeff Zentner
The Singing Bones, Shaun Tan
Spontaneous, Aaron Starmer
Still Life with Tornado, A.S. King
Symptoms of Being Human, Jeff Garvin
Unbecoming*, Jenny Downham
We Are the Ants*, Shaun Davis Hutchinson
What would you add? Remove? Actually, let’s play this committee style: these are our nominations thus far. What are yours?
We’ll be back Monday with our first review. Catch you then!
And we’re back with even more more books, in part 2 of our mega roundup of all (not really all) the books.