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Someday My Printz Will Come
Inside Someday My Printz Will Come

Pyrite Nomination Results

Happy New Year!

Let’s kick off 2014 right, with the Pyrite nomination results. [Read more...]

Message or Masterpiece (Or, Does the Problem Novel Still Exist?)

Today we’re running a roundup of books that we think are worth discussing because they are in the top, say, 100 of the year. But they aren’t quite there, and we don’t think they’ll go the distance. And to make the post about more than just a series of short reviews, we’ve limited today’s roundup to books that have a lot to offer but seem to lose out on Printzliness in the name of message or purpose. Every time we discuss these books, we find ourselves focused on a central issue not of writing but of the world: an issue discussed in the books at hand but not really of them.

And as we discussed this, we found ourselves comparing these books to the problem novels of yesteryear, because like them, what the books are about seems to weigh more heavily then how they are written, even if the how is light years beyond the old chestnuts. And really, these books offer so much more than just the issues at their hearts — but we were struck by the ways that the social issue at the heart of the text stuck in our heads the longest, outweighing the literary elements. Is this about our own biases, seeing and holding on to the part that feels like a news soundbite — and therefore, easy to remember and the sort of thing that we are reminded of by the outside world on a sadly too frequent basis — or is it an issue in the writing?

Let’s see! [Read more...]

Yellowcake

yellowcake YellowcakeYellowcake, Margo Lanagan
Knopf Books for Young Readers, May 2013
Reviewed from Final Copy

Short stories aren’t always my favorite – collections can be so uneven sometimes; I’d rather spend time in a big long novel. But Margo Lanagan seems to be trying to convince me that I – even I! – can love a collection of short stories. Yellowcake is everything you’d expect – a generally strong collection of stories full of beautiful writing; disturbing images; colliding, twining themes. It’s s strong contender, although I’m not totally convinced it will take a medal in the end.

Let’s talk about what’s good here first. The language, of course (“Styx water is sharp and bites inside your nose.”): effective, unexpected, powerful. Her carefully crafted dialogue provides clues and insights into her characters (Gallantine’s very few, studiedly casual, deceptively mild lines gave me chills, for instance). Lanagan is an amazing writer, and she does her usual awesome job here, too. [Read more...]

Maggot Moon, a Literary David

Another guest post — it took a while for anyone to take us up on the offer, but when it rains, it pours! Maggot Moon is a fascinating book, one I admired greatly, and here to talk about its Printzly qualities is Barbara Moon. [Read more...]

Far Far Away: Once upon a time…

16030663 Far Far Away: Once upon a time... Far Far Away, Tom McNeal
Knopf Books for Young Readers, July 2013
Reviewed from Final Copy

It is perhaps the most polarizing title of the year. Love, hate, and debate about audience have all bubbled up around Tom McNeal’s Far Far Away. A National Book Award finalist, the novel also has five starred reviews and has made four of the year’s best lists; clearly, there is a lot of love for this book. But whenever I discuss Far Far Away with someone who didn’t like it, they don’t just dislike the book, it’s more like disdain.

I’m not one of those people but I’m not quite on the side of adoration either. McNeal’s most prominent theme is story—its power and our lives as stories are two variations that we see in the novel. McNeal’s use of storytelling (specifically, fairy tales) as a major theme is done well enough, but when analyzed with other elements of the novel such as voice, style, and characters, Far Far Away is a book made up of discrete notes that, when played together, make a dissonant sound.
[Read more...]

A Corner of White

A Corner of White A Corner of WhiteA Corner of White (Book 1 of The Colors of Madeleine), Jaclyn Moriarty
Scholastic, April 2013
Reviewed from ARC and final ebook

This is a doozy of a book. Clair talked about the difficulties summing up a complex book like The Raven Boys, but that would be a breeze compared to this one. It’s crowded and strange and whimsical but sort of deadly serious and heavy too.

Also, four stars, three year-end lists, two turtledoves and one not-a-list.

Well, not the turtledoves. (The not-a-list is the NPR tagged and searchable assemblage of best titles.)

So does it have a chance? Or, as a fellow librarian asked, is this one of those books that gets stars just because the reviewers don’t know what else to do with it?

[Read more...]

It’s Pyrite Time!

pyrite1 283x300 Its Pyrite Time!Here at Someday, we have a mission.

It’s pretty simple: emulate the RealCommittee process as much as possible.

A large part of what we do is discuss books at a level we believe is similar to that of the RealCommittee — thoughtfully, seriously, with an insane attention to detail.

But the RealCommittee also nominates and votes on the books, which is the fun/pulse-pounding/exciting part, and so we have an annual Mock, or Pyrite, Printz here on the blog.

It starts NOW, so read on to nominate your top picks of the year, and may the best book win!

[Read more...]

The Dream Thieves

We put out a call asking for interested parties to take a shot at making the case for their top book of the year, and today, occasional guest poster Clair Segal is back to do just that. Or sort of that, because she’s taken on a challenge: talking about a second book in a series.

Clair is the library technology librarian at a New York City independent school. You can read more of her thoughts on Twitter, at her own blog, or on the AISL blog.

Dream Thieves cover The Dream ThievesThe Dream Thieves, Maggie Stiefvater
Scholastic, September 2013
Reviewed from ARC

See, the thing no one told me about going to your first Annual is that it makes you act crazy.

Totally crazy. Librarian!crazy. (Which is frankly the best kind of crazy because all things in life are better when prefaced with “Librarian!”)

But crazy is crazy, and I acted the book-obsessed-fool in Chicago. I stumbled over my tongue telling Holly Black how “amazering” Coldest Girl was. I tried to show Emily Danforth that I was awesome and hip, and great best-friend material. I waited in an insanely long line to profess to an indifferent Tamora Pierce that she had changed my life forever at the tender age of nine. (“Hmm,” my childhood idol offered, nodding politely and sliding over a signed book as her handler motioned me on.)

Maggie Stiefvater’s The Dream Thieves made me beg a stranger for pity.

[Read more...]

Graphic Novel Roundup: A Study in Contrasts

It’s been a strong year for graphic novels. Boxers & Saints is increasingly looking like a frontrunner, but there’s also RelishMarch, Book One (don’t worry, we’re definitely covering this one as soon as we get a copy), and now the two titles that are up for discussion this morning: Delilah Dirk & The Turkish Lieutenant and The War within These Walls. Complete opposites in genre, style, and tone, but each have outstanding qualities that are certainly worth a closer look. Are these qualities enough to nab a Printz?

[Read more...]

Midwinterblood

Midwinterblood 200x300 MidwinterbloodMidwinterblood, Marcus Sedgwick
Roaring Brook Press, February 2013
Reviewed from final copy

Let me start with a provocative question: Can a book be so literary that it fails at being a book?

Midwinterblood is full of the sorts of things I’ve hardly thought about since my days as an English major: tropes, motifs, archetypes, foreshadowing, even an ekphrastic device (ok, I had to look that one up, but it’s there; it’s a work in one medium commenting on a work in another medium, here prose commenting on a painting). It’s also told in reverse chronological order, as a series of short pieces that move back in time and seek to illuminate one another and some deeper thematic scope.

Sometimes it’s so full of these things that they seem to crush any cohesive narrative, but at the same time there’s a nimble literary magic happening here that has garnered five starred reviews* and make this one feel like a serious contender.

I’ve read Midwinterblood twice now. I’ve marveled, I’ve complained, I’ve taken extensive notes, and I still waver between work of art and stinking hot mess.

[Read more...]