Melvin Burgess, Melvin Burgess, Melvin Burgess! So much love for Melvin Burgess, who can do dark and devious and subversive. The Hit has two starred reviews, an action-filled plot, unexpected twists, and a killer idea: a drug that will kill you after giving you the best week of your life. But will it go the distance during committee discussion? [Read more...]
Diversity in YA has received a lot of attention recently, thanks to the #WeNeedDiverseBooks hashtag that’s evolved into a formal organization for activism and awareness. Brandy Colbert’s debut YA novel, Pointe was published just two weeks before the influential hashtag was born. Excellent timing because Pointe isn’t only a novel with a narrator of color; it’s a novel that places its protagonist in a world that’s known for its issues with women of color. Seriously, just google “where are all the black ballerinas;” you will see an alarming number of results. If you needed further proof, you could look at Michaela DePrince’s recently published memoir, Taking Flight: From War Orphan to Star Ballerina. Each book earned a star from Publisher’s Weekly, which would make them under-the-radar contenders for the Printz. And although they are quite different in the way ballet is utilized as part of the narrative, we’ve paired them for this post because they offer contrasting viewpoints, and it’s a diversity of voice within very specific parameters.
The True Tale of the Monster Billy Dean, David Almond
Candlewick, January 2014
Reviewed from finished ebook
David Almond was one of the original Printz court (see my royalty pun there?). Skellig was an honor book in 2000, and then Kit’s Wilderness took the gold in 2001. Almond hasn’t stopped writing; at least in his native England, he seems to have something published and earning accolades nearly every year. So why is no one talking about his latest to cross the pond, the surreal and magnificent The True Tale of the Monster Billy Dean?
Maybe it’s just that I had my head still firmly stuck in 2013 books in January, but I almost missed this entirely. Luckily someone put his next book on their to-read list in Goodreads, and when I went to check the US pubdate for that one, I stumbled across this one. It received three starred reviews, so we can be sure three people read it, plus me and one stalwart reader who read it for my discussion group at BookFest @Bank Street last week. I’m wondering if that’s it. (Edited to add: And the smart folks at PW, who put it on their list.) Which is a shame, because while I’m still not sure I liked this one, I think it’s definitely in the running for most ambitious novel of the year. [Read more...]
I love me some year end lists. Sometimes they affirm, sometimes they challenge and sometimes they bring me totally new books that I would have otherwise missed. And that’s even before we get to the comparing lists stage of things.
First up, released this weekend, we have the Publisher’s Weekly lists, which wins for affirming — almost all of these are books we’d put on our longlist — but also has two surprises.
Because one list doesn’t give us enough to start drawing big picture conclusions, I’m going to look at this in the really narrow lens of PW’s YA list vs Someday’s longlist. It’s a surprisingly good match. [Read more...]
Here’s some magic realism by way of fairy tales with writing that’s often achingly beautiful. Some books engage your intellect and others grab your heart; some books, however, immerse you in a sensory experience. The Strange and Beautiful Sorrows of Ava Lavender is this third kind of book. In a densely packed narrative that spans generations, Leslye Walton writes about love, obsession, regret, innocence, identity, freedom, and a lot more, aided by descriptive writing that emphasizes the five senses.
The Shadow Hero, story by Gene Luen Yang & art by Sonny Liew
First Second, July 2014
Reviewed from final copy
I don’t review graphic novels here that often, although I read most of them, because I always worry that I don’t know enough about art. But I know enough to know that this is fantastic as a novel and as a work of graphica.
Through the Woods, Emily Carroll
McElderry Books, July 2014
Reviewed from final copy
Just yesterday, we had our annual visit from an NYPL teen librarian to get students public library cards and do a bunch of booktalks. The book that got the strongest reaction? Emily Carroll’s Through the Woods. Both classes had teens verbally enjoying the spooky pictures (and one class had a quick debate about the appropriate audience. “Picture books can be for all ages,” said one very wise teen). With 3 stars, blurbs from Kate Beaton and Lucy Knisley, and beautiful art and writing, these five short stories will suck you in. [Read more...]
It seems like everyone is talking about The Family Romanov*. Let’s set aside those stars though, because a discussion of what it means when a book earns full marks, ahem, stars, should be its own post. (Okay, here’s the TL;DR version: six stars last year were the prelude to Caldecott gold for Brian Floca’s Locomotive but weren’t so predictive for Gene Luen Yang’s Boxers & Saints—even though we wanted them to be.)
The more interesting awards discussion surrounding this book is actually about audience. Is Fleming more likely to be in the running for a Newbery or a Printz? And yes, that last sentence assumes that The Family Romanov is a serious contender for one or both, because really, if it isn’t, I’m going to have seriously re-think everything I know about the world. [Read more...]
There’s always some weird dance of anticipation and dread when an author you respect as an author for adult readers dips into the YA world. Happily, Meg Wolitzer is very clear eyed about YA and about why she writes YA — it’s not to jump on the glory train (and isn’t it funny that YA is the glory train? That never stops being strange to me), and it’s not to say something to teens, although of course things are said. No, it’s about the feelings, and about capturing them on the page so that the rest of us can revisit those heady emotions.
And Belzhar is a perfect tempest of teen emotion, even if it’s not always a perfect piece of writing. [Read more...]