Nostalgia and the Printz process don’t really go hand-in-hand. But those old school feelings really can color reading experiences. We have to do a lot of work to recognize them and move past them in order to assess a book more objectively. The first time you read someone, you might have been a young, impressionable librarian (Karyn is not the only one dating herself this week, ahem). Or an author’s earlier work could have defined an entire field and, you know, won the very first Printz award. What I’m saying is your (OK, be honest: my) baggage might make it hard to realize that the particular book you’re holding isn’t what you’re expecting. But, as always in Printz discussion, it’s important to focus on the book in hand, not previous works. [Read more...]
And we have finalists! With yesterday’s announcement of the National Book Award Finalists in the Young People’s Literature category it’s really starting to feel like awards season. Last month, Karyn wrote about the longlist, observing that social conscience seemed to be a common thread among the nominees. Now that we’re down to five titles, her theory’s been reinforced.
Does literary quality mean that a writer has to have a strong authorial presence? I bring this up because Beyond Magenta is a wonderful nonfiction book. It’s easily one of the strongest contenders for this year’s YALSA Award for Excellence in Nonfiction—but will it be a serious Printz contender? [Read more...]
This year, it has really come home to me that I have been doing this for a while, with the following exchanges:
Me: Oooh, a new one from Cecil Castellucci!
Joy: You mean the LA Review of Books editor?
Me: Oh! David Almond has two books out this year? We need to read those.
Joy: …I’ve heard of him.
Me: There’s a new Lucy Frank! I loved I Am An Artichoke!
Joy: <<Blank face>>
Ok, so I’m maybe exaggerating a bit, but Lucy Frank, whose name is impressed upon me as a YA author, whose early books I booktalked quite often in my salad days at New York Public Library, is one of many authors who elicit a sort of Pavlovian “I should read that” response, because I was reading their work in my formative years vis á vis YA literature.
Be wary of nostalgia reading, friends. It can lead you in the wrong direction. [Read more...]
A Creature of Moonlight by Rebecca Hahn
Houghton Mifflin Harcourt, May 2014
Reviewed from ARC
This is a book that, I’m pretty sure, was written just for me. I love fantasy, I love courtly politics, I love dragons and willful ladies. Somehow, though, even though my review is due, I have to confess that I’m only about half way through. (Sometimes, reading in short bursts on the subway is not my friend, even though it makes for nice visuals.) [Read more...]
I need to be up front about something. I loved Where Things Come Back. I know it wasn’t a favorite ’round these parts, but I was impressed with the nuance and ambition in its debut author’s writing. John Corey Whaley’s Printz-winning novel made me think and feel and had me excited to read more from him.
The high-concept plot (cryogenically frozen heads!) and the teenage angst (he’s back from the dead wants his girlfriend back too!), oh, how they intrigued and beguiled me. And oh, how I kept waiting for Noggin to deliver on the promise of its authorship. [Read more...]
Gosh, it’s a good year for poetry, at least from a publishing perspective.
And unlike Nelson’s gorgeous memoir that I will be hard pressed to sell to actual real live teen readers™, Poisoned Apples has appeal in spades.
This was a later addition to our list, thanks to buzz and
three stars five stars, and I’m glad we didn’t miss it; it’s a small collection of woman-centric fairy-tale poems that recast the action in the schools and streets and bedrooms and bathrooms of today’s world. Sort of Anne Sexton lite, maybe — which, frankly, is pretty much everything wrong with this collection in a nutshell. [Read more...]
Children of the King, Sonya Hartnett
Candlewick, March 2014
Reviewed from ARC
Luxuriant prose, complicated and resonant themes, contemplative characters — Hartnett’s historical fiction is actually a bit of a genre-blender with thin fantasy elements woven in. Traditionally, the Printz committee rewards books that mix genres — but RealCommittee choices also tend to skew older, and Children of the King has been pegged by publisher and reviewers as a middle grade title. It’s happened before — David Almond comes immediately to mind; Hartnett’s rich descriptions and haunting strains of magic woven into the plot invite that comparison. [Read more...]
In case you missed the news when it was first announced, or the recent news of the finalists, Kirkus Reviews now offers a really excellent writing award — it’s monetary, to the tune of $50,000, which for many authors probably represents a lot more time to write.
The nominee list — all the star reviews published between November 2013 to October 2014 — are listed here, and it’s quite a list (we’ve talked before about the Kirkus star, which is meaningful but not stingy). Much more exciting, though, is the Kirkus Prize finalist list, which was released yesterday.
Read on for the list, with my insights — spoiler warning, though: I haven’t read any of them yet. There are just too many good books!
I almost didn’t write this review. Not for a lack of quality in Danica Novgorodoff’s graphic novel–it has quality bursting out of the pages. No, I almost abandoned this one because of that pesky eligibility question. It’s an issue I raised last year when I reviewed Lucy Knisley’s Relish, another book that was technically an adult pub. But, there was enough ambiguity in the publisher-defined age-range that I thought it was worth a discussion. I’m going to sound like a broken record, but I think the same principle applies for the delightfully morbid love story that is The Undertaking of Lily Chen. Yeah, technically it’s an adult pub, but if I ran the world (or, at the very least, the Printz committee) I would put this book forward for discussion.