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Someday My Printz Will Come
Inside Someday My Printz Will Come

A New Kind of Fairy Tale: Dust Girl

dust girl 197x300 A New Kind of Fairy Tale: Dust GirlDust Girl, Sarah Zettel
Random House, June 2012
Reviewed from ARC

Welcome to the Dust Bowl as you’ve never seen it before, peopled by lots more than, well, people, in a new series that covers some of the same territory as American Gods or The Flight of Michael McBride (sadly out of print, but a crossover treasure if you can find it). I don’t think anyone has done this sort of story in YA before, where the nearest readalike would probably be the not-actually-anything-like-this Far West trilogy by Patricia Wrede. Or possibly O Brother Where Art Thou, with its vague magic realism, and which I found myself thinking of as I read Dust Girl; it’s neither a book nor YA, but does seem to be familiar to lots of teen readers.

So we’re definitely talking original. Original in concept, original in execution, and (although it’s a funny word to use given the Dust Bowl setting) altogether fresh.

It’s also first in a trilogy, and if we know anything about series books, it’s that first books that make no bones about being first (as opposed to books that turn out to be first but weren’t apparently conceived, pitched, and/or branded as such) don’t tend to fare terribly well. Also, it’s (obviously) fantasy, which, statistically speaking, is another award black mark, although not a death knell.

But it’s pretty damn awesome. Does it stand a chance?

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The Chaos (Epic Post!)

The Chaos The Chaos (Epic Post!)The Chaos, Nalo Hopkinson
Margaret K. McElderry, April 2012
Reviewed from final copy

Over at Heavy Medal a month or so back, in the comments, the question was raised about emotional v intellectual engagement.

In a nutshell: is it fair that we tend to preference books with which we engage emotionally?

In that discussion, Mark Flowers (hi, Mark!) of Cross-Referencing said:

None of this is to say that emotional reaction should be taken out of the equation, but if we are really going to evaluate a book, we need to look at the how and the why of those emotional reactions, not just the fact of them.

I’ve been holding that comment in my head. “I feel” is, after all, invalid in Printz conversations if we leave it as an emotional reaction. But the question of the how and why takes that reaction and allows it to become another path by which to examine facets of writing and assess excellence. How does the author engage the reader? Is the emotional engagement or lack thereof in some way a response to the particulars of the writing? And how do we unpack the writing to get at the heart of the how and why? Because that’s where we find meat worth discussing in the context of the Printz.

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Radiant Days?

Radiant Days 198x300 Radiant Days?Radiant Days, Elizabeth Hand
Viking, April 2012
Reviewed from final copy (that I bought for myself the day it came out)

I’ve probably said this before, but by and large I love this blog. I love talking to intelligent, passionate people about books. I love disagreeing and I love having my mind changed. I even love, although sometimes the way we love shots for keeping us disease free, the way the responsibility of the blog makes me a more honest librarian, by which I mean someone who has to leave her reading comfort zone behind regularly.

But here’s what I don’t love: having to go on record talking smack about books I want to defend but in the end, just can’t.

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