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Someday My Printz Will Come
Inside Someday My Printz Will Come

In Brief (at length)

We’re called “Someday My Printz Will Come” for a reason; we kiss a lot of frogs. Which is necessary if we want to read widely — and we do, because that gives us the best sense of the year. The Printz is, after all, an award for literary excellence in the publication year — wider readership means we are assessing the books against as many of the competition as possible.

We can’t cover every book we collectively read — if you’re interested in seeing those lists, find us on Goodreads — and there are plenty of books we are happy to skip. But we wanted to take a moment to give out a few honorable mentions to some books that aren’t quite frogs, but they aren’t princes, or Printzs, either.

So, in brief, a roundup of some titles we don’t think need a lengthy discussion but did deserve some acknowledgement. The following books fall into one of two categories — either we read them and loved them, but sadly believe they have no chance when it comes to the Printz, OR they landed on our list for reasons of stars (we do our best to lay eyes on everything with three or more stars) or buzz, but we just can’t see them going the distance.

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Romance Roundup, Summer Style!

The weather is getting colder, Starbucks broke out the red holiday cups , and Thanksgiving is just around the corner. But let’s go back to that happier—and warmer—time in late August when two novels about love were published: The Beginning of Everything and The Infinite Moment of Us. These two books aren’t on our long list, but in a year when contemporary realistic romance is ubiquitous, each of these novels has noteworthy qualities. Let’s snuggle up and discuss, shall we?

(By the way, you know we do spoilers here, right? Don’t say I didn’t warn you when I spill some major secrets.)

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More Roundup (Debut Style!)

Amelia Anne 198x300 More Roundup (Debut Style!)Amelia Anne Is Dead and Gone, Kat Rosenfield
Dutton, May 2012
Reviewed from ARC

Buzz and anticipation, impressive writing, and a whole that ends up not quite hitting it out of the park — haven’t we heard this story before?

Amelia Anne Is Dead and Gone has some really magnificent sentence level writing. Some of the best out there this year, even, although on occasion it’s almost too much. It’s yet another potential Morris contender, too, and — as with so many of the books that have crossover eligibility for the Morris — it probably has a better chance there, because it’s a great debut.

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Dying to Know How this Is YA

dying to know you 198x300 Dying to Know How this Is YADying to Know You, Aidan Chambers
Amulet Books, April 2012
Reviewed from ARC

Look, Aidan Chambers is an immensely accomplished writer. He was one of the early Printz winners, people write critical essays about his books, and he plays quite impressively with form in many of his novels. He certainly has a a steady command of his language, and while there are aspects of Dying to Know You I don’t like, when it comes down to it a lot of this is stylistic quibbling and reader preference, which is not a Printz-worthy argument.

Not stylistic? The decision to have this ostensibly YA book narrated by a 75-year-old man.

75. Let that sink in for a moment.

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Telling Tales

Storyteller 202x300 Telling TalesThe Storyteller, Antonia Michaelis, translated by Miriam Debbage
Amulet Books, January 2012
Reviewed from ARC

This German import only received one star, and honestly, I’m not sure anyone is talking about it.

But I think this is an unsung, unnoted gem, and everyone needs to get a copy STAT.

And then read the book before you read any more of this post, because here be spoilers, and they would really spoil things. I am so glad I did not know what I was getting myself into when I started this, and I would hate to ruin the visceral experience of the book for anyone else.

So, in case that wasn’t clear enough: click beyond this point ONLY if you’ve already read The Storyteller. Or if you know you’ll never ever read it. (But then you’d be missing out.)

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