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Someday My Printz Will Come
Inside Someday My Printz Will Come

So many books they never end oh god too many books (Hanging Chad part 1)

morebooks copyThis year is just full of books, and so many of them are worth talking about. Sadly, we’re not going to get to everything we hoped to read before Monday’s award announcements, despite valiant efforts.

I’m mourning Leavitt’s Calvin, loaded on my Nook but sadly unread; Seneca Village; Lizard Radio, with a premise so unusual that maybe I will read it even after I ought to be moving on to 2016 publications; and a handful of other books besides. Not to mention all the books reviewed by Joy and/or Sarah, a percentage of which I haven’t read and several of which are clearly among the top 20 or so of the year.

But enough crying over books unread, and on to the final titles we have squeezed in. We’ll run half of them today and the other half tomorrow, because otherwise this post would be out of control.

[Read more…]

All the Rage

A few thoughts.

One: I planned to cover two books tonight, linked by the fact that they both feature girls who have been harmed by their worlds but who won’t go down without a fight, and who both, through perseverance and pain, succeed. But it diminished both texts and I especially didn’t want to risk obscuring All the Rage, which is an important and powerful book.

Two: Sometimes the worst thing about reading with the kind of critical lens required for the Printz is that that level of scrutiny often ends up meaning we read books more than once. Admittedly, there are times when this is a gift. Rereading can be a luxury, allowing us to read for craft and detail rather than just to booktalk, and often a second read reveals new layers. On the flip side, there are also times when a close second read means we need to confront the things that are less than perfect about a book, taking a top book down a few pegs or leaving us (me) torn between a critical/blog charge and a personal and/or professional desire to promote powerful, meaningful books.

I’ve read All the Rage twice now, and I’m still struggling with the tension between what matters about this book and what matters for award season. [Read more…]

Thumper’s Dad (A Roundup)

Once upon a time ago, over on Heavy Medal, Jonathan very boldly (and wittily) ran a post with just a title and the cover of the book.

His point was that sometimes you just don’t have anything good to say about a book, so why say anything at all?

I’m not nearly as bold, nor are my opinions so strongly unspeakable, but today I’m aiming to be very nearly as brief with a crop of books that that just won’t go the distance.

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The Game of Love and Death

gameloveThe Game of Love and Death by Martha Brockenbrough
Arthur A. Levine/Scholastic, April 2015
Reviewed from an ARC

Last week, I spent my time talking about unusual formats. This week, I’m not dealing with an unsual format — just straight up prose here, folks — but this title does have a unique feel. It’s like a fairy tale — it feels like a fairy tale, and uses some elements of a fairy tale — but it’s heavier than a fairy tale because it’s also an emotional/philosophical examination of what it means to be human, of what it means to love, to choose to love even though we will also, always, every time, lose. It’s really a beautiful read. Game has 4 stars and some buzz as well (there were people talking about it here last January). [Read more…]

Double Trouble

princess xme being meI am Princess X by Cherie Priest
Scholastic, May 2015
Reviewed from a final copy

Me Being Me is Exactly as Insane as You Being You by Todd Hasaak-Lowy
Simon & Schuster, April 2015
Reviewed from an ARC

And hey! It’s a twofer Friday to balance out our start to the week. We’ve got two books that incorporate some unusual elements in their storytelling: one’s a blend of text and comics, and the other’s told entirely in lists. Both authors made deliberate choices about how to tell the stories, and while neither book is perfect, they’re interesting and worth the conversation. Both contemporary, both use humor effectively, both debuts (of a sort — they’re both authors new to YA) but they go in different directions. [Read more…]

Boys Will Be… Knitters and Lovers and Funny, Oh My

Simon VS the Homo Sapiens Agenda coverBoys Don't Knit coverSimon VS the Homo Sapiens Agenda, Becky Albertalli
Balzer + Bray, April 2015
Reviewed from ARC

Boys Don’t Knit, T.S. Easton
Feiwel and Friends, March 2015
Reviewed from final copy

It’s a twofer Monday, today, with two delightfully warm, funny, and frankly tender tales of boys grappling with what it means to be a boy, and also what it means to fall for someone.

[Read more…]

Challenger Deep

challenger1Challenger Deep by Neal Shusterman
HarperCollins, April 2015
Reviewed from a final copy

Six starred reviews. One of the titles on the NBA longlist. This is a deeply personal story, one that has authenticity and hope. Although I’m still frantically reading 2015 titles, this is the book that has me excited at this point in the year. Challenger Deep has a lot of critical love, obviously, but it’s got a lot of general buzz as well — and a combination like that can be powerful at the table. 

The biggest challenge: it takes a certain amount of patience to push through the initial confusion of the beginning. The way Caden’s worlds collide and mix up with his dreams, you need to put the work in at the start in order to make it to the end. But this is a read that rewards patience and tenacity because the way the stories intertwine enrich the reading experience as a whole. The split worlds actually are (for me) the greatest strength of the novel; they comment on each other, reflect and refract each other, eventually coming to a merging point.

Shusterman’s language in moving between these worlds, too, is masterful. At crucial points in the text, Caden’s first person narration switches to second person, pulling us in as readers, binding us even more tightly to Caden. Shusterman is using his story not just to talk about a character who is mentally ill; he’s showing us, he’s bringing us along for the ride. We are next to Caden, addressed directly by Caden — the reader is subtly but powerfully tied to Caden’s story and to Caden’s perspective.

As a narrator, Caden is funny and charming despite his unreliability. (Hmmm. That’s not the perfect word, but I can’t think of a better one, so I’m going to leave it there. Maybe you all have a suggestion?) On his family’s trip, he describes his car sickness: “One step short of vomiting. Which, I suppose, makes me like everyone else in Vegas.” Heh. Sounds like a wry teenage boy right there. His voice is what can pull readers through the initial confusion of the split worlds. His utter relatability allows us as readers to go along for the ride, navigating his symptoms; we can’t help but actively try to connect with him.

The other characters don’t stand out quite as much; this is most definitely Caden’s story. His parents take up a parental amount of space (they are humanized and interesting, certainly sympathetic, but are not really the focus; this is YA, after all). The figures on the boat in the trench are well balanced; they start out seeming larger than life (and seem in some ways to be extensions of Caden himself), and end up corresponding to people in Caden’s hospital world. Even with these multiple roles, though, Caden voice and experiences dominate the story.

The writing is really beautiful, full of details and descriptions. “I push past the stars into that dark light, and you can’t imagine how it feels. Velvet and licorice caressing every sense; it melts into a liquid you plunge through; it evaporates into air that you breath.” There’s specificity and sensuality in it. It’s quotable and clear, both moving the story along and helping readers appreciate Caden and Caden’s perspective.

The text includes line drawings. They work to illuminate particular moments in the story, and add movement and emotion. The swirling, disconnected lines can be intense. They’re a fantastic way to see inside Caden’s head — another way to connect with our central figure.

But the big question we’re supposed to be figuring out here: do we think this will take a medal? I think it could. In a way, I almost wonder if coming up against the titles Joy reviewed a while ago could be to its advantage. I’ve certainly got more to read before my year is over, but this is one strong contender. What do you all say?