Nostalgia and the Printz process don’t really go hand-in-hand. But those old school feelings really can color reading experiences. We have to do a lot of work to recognize them and move past them in order to assess a book more objectively. The first time you read someone, you might have been a young, impressionable librarian (Karyn is not the only one dating herself this week, ahem). Or an author’s earlier work could have defined an entire field and, you know, won the very first Printz award. What I’m saying is your (OK, be honest: my) baggage might make it hard to realize that the particular book you’re holding isn’t what you’re expecting. But, as always in Printz discussion, it’s important to focus on the book in hand, not previous works. [Read more...]
By my count, Year of the Beasts has received two stars; it’s in the buzz portion of our contenda list. Some of that buzz, I know, has been from me to Karyn: Cecil Castellucci is always doing interesting work, and Nate Powell’s Swallow Me Whole blew me away a few years ago and I can’t wait to read it, I kept saying. I’ve actually been carrying this book around in my bag for months, starting it and then stopping because…well, I don’t know why, exactly. I just wanted to keep reading it, I think. (Don’t look for sense-making there.) So it seems having a hard deadline for a review is a good thing for this type of nonsensical situation. I don’t think Karyn wants to hear any more buzz from me until I can also tell her I actually read the book.
We have: summer, the end of school, the arrival of the carnival, sisters, friends, boys. But then fall arrives, and so do tragedies, Greek myths, panels and pictures. Told in alternating chapters, this is the story of Tessa and Lulu. Castellucci writes the summer chapters, the Then chapters. Tessa and Lulu had a hard summer; Tessa is the older sister, the plainer sister, the sister with a crush on Charlie. Lulu is younger, prettier — and Charlie only has eyes for her. Powell’s art takes over the fall chapters, the Now chapters, except that Now Tessa’s monster self is apparent; she is transformed into Medusa and her hard eyed glare turns friends and family into stone figures. Her friend, Celina, is a siren, a mermaid on a seashell. And Tessa can’t take her eyes off the Minotaur, a wounded, wandering figure that doesn’t want to speak to her. [Read more...]