This book really amazed me by being a story that is bigger and harder and rougher and rawer than I thought it would be. It’s been named for two year’s best lists, and garnered three starred reviews, so it’s not just me feeling amazed. Althea and Oliver is a debut book that went far darker than I expected, and did so intelligently and memorably. While it’s not a perfect read, the more I think about this one, the more impressed I am. [Read more…]
A few days ago on Twitter, Rachel Hartman (yes, you know, that Rachel Hartman, who brought us last year’s best debut — and one of last year’s best books, period), Seraphina, asked if we were doing a Morris shortlist roundup this year. The answer, sadly, was not really, because our Morris readership hasn’t been thorough enough. Out of that conversation came the following guest post, in which Rachel reviews Charm and Strange, the most Printz-buzzed of the Morris shortlist titles.
For those of you who don’t
stalk follow Rachel on any social media, a few salient biographical details and some links: In addition to Seraphina (which won the Morris Award last year AND a Printz Honor) and also the author of the forthcoming sequel (in March 2015. I KNOW) Shadow Scale. She can, as mentioned, be found on Twitter, where she procrastinates, talks about music and writing, frequently makes me laugh, and is a general source of things that are Good. But if you really want all the details, you should head over to her website and blog, this month featuring Morris shortlist authors and books — in fact, she’ll be posting an interview with Stephanie Kuehn later today! But enough of the introduction and on with the write-up.
I asked Karyn whether y’all would be doing any kind of Morris roundup this year. She told me time was tight, so probably not. I’ve only read Charm & Strange from this year’s Morris list, but I volunteered to review it because I’m on deadline. My procrastination knows no bounds.
There will be spoilers ahead — to my great relief, since this is a difficult book to discuss without spoiling — but let me try to give you the spoiler-free condensed version first. I loved Charm & Strange, and that’s saying a lot. I’m a fantasy person. It takes a very special real-world, “problem” novel to keep my attention at all, let alone make me love it. This is an intensely painful book to read, however. In terms of awards, I don’t know. I never predict anything correctly. You could certainly write a multi-page paper on this book — or on the psychology, philosophy, and metaphor contained therein — and yet I don’t think I could bear to re-read it. I’m not sure how it would hold up if I did, since so much hinges upon the reader and Win discovering the truth together. Once all the terrible truths are revealed, is that all there is — and is that enough?
Come with me under the fold, and let’s dig into this thing!
Nominate in haste, repent at leisure?
Well, not quite. But… I’m not entirely surprised no one, in effect, seconded this one.
Wild Awake is a debut, and while I don’t have a full sense of the year’s debut slate, from what I’ve read and from what I’ve passed over reading (there are so very many latest-hot-craze books among the debut titles), it’s a strong debut.
In fact, there are aspects that are outstanding. And then there are some aspects that strive, but don’t quite stick the landing.
One of the things I find frustrating about this blogging thing is the December blahs.
At this point in the game, I have a sense of what the year has brought us. I’m not a seer, so I don’t know what books will take the RealPrintz (and judging by last year, don’t listen even if I pretend I DO know), but I know what the top of the pile looks like.
But we’re still reading, and we’re still covering books we listed back in September as contenders. And some days, what we’re tasked with is coming up with a thousand or so words about a book that was quite good, and that doesn’t deserve to be dissected into shards, but that just isn’t a serious contender.
And yes, I acknowledge that sometimes, I say “not a contender” and what I really mean is, “here’s my argument against this one, but your mileage may vary.” This time, I really just mean they’re not contenders.
This is indeed, just as the back cover promises, a very strong debut.
But I think it’s telling that even the blurbs mention its debut status, because this is a book that might be a solid contender for the Morris, but doesn’t rate for the Printz.
(I should acknowledge that I am making that very broad statement without actually having a list of 2012 debuts to consult, so, you know, sort of pontificating without evidence.)
I’m sure you’re thinking, wow, Karyn, tell us how you REALLY feel.