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Someday My Printz Will Come
Inside Someday My Printz Will Come



Nimona by Noelle Stevenson
HarperTeen, May 2015
Reviewed from final copy

I’ve been considering this a graphic novel roundup — we’re short on time, you may have heard? — but now that I’m sitting down to write it, I’m finding myself with a lot to say about Nimona. I can’t guarantee that we’ll have a chance to circle back around to March 2 and Ms Marvel 2 and 3. (It would be the M cubed post, unless we’re able to fit in EVEN MORE GNs. And with the year going as quickly as this one is, don’t underestimate our ability to add and add and add! I mean, I am not convinced that any of those sequel Ms will go the distance at Printz table conversation, but I want to live in a world where Kamala Khan is considered for Printz candidate alongside John Lewis, OK?) [Read more…]

Egg & Spoon

Egg & Spoon, Gregory Maguire
Candlewick Press, September 2014
Reviewed from final copy

What an ingenious little (okay, big) book this is.

Maguire is at his best when he’s being sly and subverting tropes and expectations; he did it to genius effect in Wicked, which remains one of my favorite novels, and while his overall body of work is uneven, when his writing shines it’s positively lustrous.

This is him at his best.

[Read more…]

The Story of Owen

The Story of Owen: Dragon Slayer of Trondheim by E. K. Johnston
Published by Carolrhoda Lab, March 2014
Reviewed from final copy

You know we’re not going to get out of here without a Trogdor reference, right? I mean, that’s not in any way the point or even relevant, but it’s still burninating me up inside. Much like the countryside and all those peasants. Which doesn’t get us to the three stars, the three best of year lists (so far), or the placement on the Morris shortlist. The Story of Owen may not have thatched-roof cottages, but it is mostly full of fantastic fantasticness. [Read more…]

A Creature of Moonlight

A Creature of Moonlight by Rebecca Hahn
Houghton Mifflin Harcourt, May 2014
Reviewed from ARC

This is a book that, I’m pretty sure, was written just for me. I love fantasy, I love courtly politics, I love dragons and willful ladies. Somehow, though, even though my review is due, I have to confess that I’m only about half way through. (Sometimes, reading in short bursts on the subway is not my friend, even though it makes for nice visuals.) [Read more…]

The Winner’s Curse

The Winner’s Curse, Marie Rutkoski
Macmillan, March 2014
Reviewed from final copy

Not gonna lie. I loved this book. I loved from the pretty dress cover — I know! But I’m a sucker — to the thoroughly unexpected world. I loved the lack of easy answers and the fact that there is more to come. I loved Kestrel’s brilliance and her stupidity, and Arin’s conflicting desires for freedom and to be a good man, in a world where both are not an option. So much love, really.

But my love does not literary merit confer, sadly, so let’s see if there’s a case to be made.

[Read more…]

Death and Love: Sorrow’s Knot & The Coldest Girl in Coldtown

Today, I’m talking about two books that are in my personal top 10 of the year. And both revolve around death and love, two primal, powerful pieces of life.

And they’re both fantastic.

Other than that, they’re really different, and I suspect neither of them has much chance at a Printz nod, which is sort of a shame.

[Read more…]

A Corner of White

A Corner of White (Book 1 of The Colors of Madeleine), Jaclyn Moriarty
Scholastic, April 2013
Reviewed from ARC and final ebook

This is a doozy of a book. Clair talked about the difficulties summing up a complex book like The Raven Boys, but that would be a breeze compared to this one. It’s crowded and strange and whimsical but sort of deadly serious and heavy too.

Also, four stars, three year-end lists, two turtledoves and one not-a-list.

Well, not the turtledoves. (The not-a-list is the NPR tagged and searchable assemblage of best titles.)

So does it have a chance? Or, as a fellow librarian asked, is this one of those books that gets stars just because the reviewers don’t know what else to do with it?

[Read more…]


Midwinterblood, Marcus Sedgwick
Roaring Brook Press, February 2013
Reviewed from final copy

Let me start with a provocative question: Can a book be so literary that it fails at being a book?

Midwinterblood is full of the sorts of things I’ve hardly thought about since my days as an English major: tropes, motifs, archetypes, foreshadowing, even an ekphrastic device (ok, I had to look that one up, but it’s there; it’s a work in one medium commenting on a work in another medium, here prose commenting on a painting). It’s also told in reverse chronological order, as a series of short pieces that move back in time and seek to illuminate one another and some deeper thematic scope.

Sometimes it’s so full of these things that they seem to crush any cohesive narrative, but at the same time there’s a nimble literary magic happening here that has garnered five starred reviews* and make this one feel like a serious contender.

I’ve read Midwinterblood twice now. I’ve marveled, I’ve complained, I’ve taken extensive notes, and I still waver between work of art and stinking hot mess.

[Read more…]


Seraphina, Rachel Hartman
Random House, July 2012
Reviewed from ARC

Gosh golly, but I love rereading.

Books change upon acquaintance. They get deeper (or, sometimes, shallower, but let’s not go there); different aspects bubble to the top; when the reader is no longer at the mercy of the plot’s momentum there is time to really savor all the different elements, even those that were initially subtle notes.

(Also, apparently, books are actually pots of soup. Mmmm, soup.)

Seraphina is one of those books that improves upon acquaintance, and which lingers after consuming reading. Having now read it three times, I find that actually, I love this book. And while love is immaterial, I’m also incredibly impressed at the way it keeps revealing new facets (rather like the moment Seraphina first sees dragons in their dragon forms, and realizes that the initially dull scales are filled with all sorts of color, in fact).

[Read more…]

The Chaos (Epic Post!)

The Chaos, Nalo Hopkinson
Margaret K. McElderry, April 2012
Reviewed from final copy

Over at Heavy Medal a month or so back, in the comments, the question was raised about emotional v intellectual engagement.

In a nutshell: is it fair that we tend to preference books with which we engage emotionally?

In that discussion, Mark Flowers (hi, Mark!) of Cross-Referencing said:

None of this is to say that emotional reaction should be taken out of the equation, but if we are really going to evaluate a book, we need to look at the how and the why of those emotional reactions, not just the fact of them.

I’ve been holding that comment in my head. “I feel” is, after all, invalid in Printz conversations if we leave it as an emotional reaction. But the question of the how and why takes that reaction and allows it to become another path by which to examine facets of writing and assess excellence. How does the author engage the reader? Is the emotional engagement or lack thereof in some way a response to the particulars of the writing? And how do we unpack the writing to get at the heart of the how and why? Because that’s where we find meat worth discussing in the context of the Printz.

[Read more…]