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Someday My Printz Will Come
Inside Someday My Printz Will Come

Through the Woods

woodscarroll Through the Woods

Through the Woods, Emily Carroll
McElderry Books, July 2014
Reviewed from final copy

Just yesterday, we had our annual visit from an NYPL teen librarian to get students public library cards and do a bunch of booktalks. The book that got the strongest reaction? Emily Carroll’s Through the Woods. Both classes had teens verbally enjoying the spooky pictures (and one class had a quick debate about the appropriate audience. “Picture books can be for all ages,” said one very wise teen). With 3 stars, blurbs from Kate Beaton and Lucy Knisley, and beautiful art and writing, these five short stories will suck you in. [Read more...]

Roundup: In a worst case scenario

We’re about two weeks away from the YMA’s so it’s the perfect time to highlight some books that are flying under the awards radar. Both of the titles I’m looking at today have excellent character writing and deal with themes of violence and what people do in extreme circumstances. Neither book quite has what it takes for the Printz, but I was surprised that they didn’t show up on more best of the year lists. Thankfully, both are BFYA nominees so while I keep my fingers crossed, read on for why I think they deserve some kind of recognition.

[Read more...]

Midwinterblood

Midwinterblood 200x300 MidwinterbloodMidwinterblood, Marcus Sedgwick
Roaring Brook Press, February 2013
Reviewed from final copy

Let me start with a provocative question: Can a book be so literary that it fails at being a book?

Midwinterblood is full of the sorts of things I’ve hardly thought about since my days as an English major: tropes, motifs, archetypes, foreshadowing, even an ekphrastic device (ok, I had to look that one up, but it’s there; it’s a work in one medium commenting on a work in another medium, here prose commenting on a painting). It’s also told in reverse chronological order, as a series of short pieces that move back in time and seek to illuminate one another and some deeper thematic scope.

Sometimes it’s so full of these things that they seem to crush any cohesive narrative, but at the same time there’s a nimble literary magic happening here that has garnered five starred reviews* and make this one feel like a serious contender.

I’ve read Midwinterblood twice now. I’ve marveled, I’ve complained, I’ve taken extensive notes, and I still waver between work of art and stinking hot mess.

[Read more...]