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Someday My Printz Will Come
Inside Someday My Printz Will Come

Divergent Dystopic Visions

Screen Shot 2018-01-21 at 11.30.26 AMNot Divergent divergent, but diverse, unexpected, small press books diverging from the post-apocalyptic formula of yesteryear: that’s what we’ve got for you today. The Marrow Thieves won both the Kirkus Prize and the Canadian Governor General’s Literary Award, and has shown up on the year-end lists for Kirkus and School Library Journal — not bad for a Canadian publication almost entirely under the radar stateside. All the Wind in the World is Samantha Mabry’s sophomore effort after last year’s enticing A Fierce and Subtle Poison. It’s a quiet book in terms of buzz, although it had a strong showing out of the gate with 3 stars and a place on the NBA longlist; it also made Booklist‘s Editor’s Choice.

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Fantasy You Don’t Want to Miss, a Two-fer

Screen Shot 2017-12-05 at 9.55.31 PMLet’s talk about heart books. Because today I want to call your attention to two books that are long shots at best, but which I loved them dearly as a reader. More than that, despite the flaws that I predict will ultimately sink them, these are strong books that deserve close attention. Both are contemporary fantasy, one in the magic realism vein and the other in the send up all the tropes and take no prisoners vein. (Ok, that’s a pretty niche vein, but still.) Other than genre, their bisexual protagonists (something I didn’t put together until halfway through this review), and their likely distance from medal territory these don’t have much in common – but that’s ok, because every book deserves to be considered on its own.

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The Pearl Thief

The Pearl ThiefI’ve been avoiding this review like the plague. I scrubbed my bathtub this afternoon in an attempt to not write this post, in fact, and I don’t know what my hang up is, really, except that this is not Code Name Verity but it is about Julie and so I have many feelings that have nothing to do with the book in front of me or with literary excellence and have only to do with the fact that I’m a little in love with a brash, fearless, fictional girl who died too young. So, baggage. On the upside, I’ve read The Pearl Thief twice now, and for me at least, it improves upon acquaintance. I think the first time it was the baggage at work; I wasn’t entirely reading The Pearl Thief so much as I was mining it for Julie. The second time, I read it for exactly what it was — a fascinating set piece, a tidy little mystery, a crafty study of class and race* and gender. And the formation of a young woman who, ok, is someday soon going to be the astounding protagonist of Code Name Verity but who is actually a fantastic character before that, and who can carry a book even for a reader who didn’t know what was coming down the pike.

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Thick as Thieves

Thick as ThievesSo, today’s post was scheduled to be about two new books in familiar worlds with thieves in them. But after rereading Thick as Thieves I decided to split them up — because really, both books (the other is Wein’s The Pearl Thief, of course) deserve full posts to themselves. Thick as Thieves delighted me when I read it for the first time, back in February, but I wanted to love it so much that I wondered if maybe I had loved it despite issues. After rereading it, I’m convinced I didn’t love it enough the first time around, because once I was past that first read to find out what was going to happen, I was able to sit back and really be blown away by Turner’s writing, which is frankly genius.

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Sleepers

Slide1Today I’m talking about two books that are impressive, powerful, skillfully crafted reads. Both have received some minor critical acclaim (1 star for Maresi, 2 for Fire Color One), and both are books no one is talking about or name-checking, which is a damn shame. More similarities: Both are imports and both are unexpectedly short, which is both  refreshing. In this eternal age of doorstoppers, concise writing remains startling and welcome, and a tightly written book that packs as much in as each of these does is even more impressive.

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The Careful Undressing of Love

The Careful Undressing of Love, cover image

This book. THIS BOOK.

 

Sometimes you pick up a book because you should; it got some stars (or, in this case, failed to get some stars), some people liked the authors other books, you’re sitting around portioning out the books and it’s your turn to take something off the pile. I read a lot of should books — that’s being a youth services librarian, basically — and mostly I am glad, because it makes me better at my job, and mostly the books are good, because lots of books are good, if you give them chance, but mostly they aren’t great.

And then, every now and again, you read a should book and it knocks your socks off. Like, across town lines off. You’ll never see those socks again, and you don’t care, because you’ve just fallen a little bit in love and that’s all that matters.

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