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Someday My Printz Will Come
Inside Someday My Printz Will Come

Dark Horses

Some dark horses for your viewing entertainment.

For our final review of the season, squashed in at the 11th hour, we bring you a quick and dirty final roundup to shed a little bit of love on some books that we never got to discuss at length but that we still think deserve a little attention.

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Picture Books for … Teens?

It’s rare that there are true all-ages picture books.

This year, we have two of note.

Both are beautiful, thought-provoking, unusual, and skew way up. All the way to adolescence and beyond.

I’ll eat my hat if either receives a silver from the RealCommittee. Hell, I’ll eat all y’all’s hats. BUT. These are gorgeous books with appeal for older readers, so here’s me shining a bit of light on them.

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Drugged by Love?

Love Is the Drug, Alaya Dawn Johnson
Arthur A. Levine/Scholastic, September 2014
Reviewed from ARC

So, I think I made it pretty clear last year that I really like Alaya Dawn Johnson’s style. She’s smart and she writes books that appeal to me as a reader. But if you dismiss this as just another fangirl review, you’ll be missing out, because despite the flaws (and there are flaws — fannish and blind are not synonyms) this is one seriously notable book.

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In Brief (at length)

We’re called “Someday My Printz Will Come” for a reason; we kiss a lot of frogs. Which is necessary if we want to read widely — and we do, because that gives us the best sense of the year. The Printz is, after all, an award for literary excellence in the publication year — wider readership means we are assessing the books against as many of the competition as possible.

We can’t cover every book we collectively read — if you’re interested in seeing those lists, find us on Goodreads — and there are plenty of books we are happy to skip. But we wanted to take a moment to give out a few honorable mentions to some books that aren’t quite frogs, but they aren’t princes, or Printzs, either.

So, in brief, a roundup of some titles we don’t think need a lengthy discussion but did deserve some acknowledgement. The following books fall into one of two categories — either we read them and loved them, but sadly believe they have no chance when it comes to the Printz, OR they landed on our list for reasons of stars (we do our best to lay eyes on everything with three or more stars) or buzz, but we just can’t see them going the distance.

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Why We Took the Car

Why We Took the Car, Wolfgang Herrndorf (translated by Tim Mohr)
Scholastic, January 2014
Reviewed from finished ebook

I initially came across this one on Jen‘s fabulous spreadsheet. Two stars doesn’t make it a must read, but I still haven’t quite recovered from The White Bicycle. It’s one thing to not have read a Printz winner/honoree personally, and a common thing, it seems, for me to disagree with the winner, but for a book to be so far off the radar that I hadn’t heard of it was really surprising and a cause for chagrin. So I try to pay attention to 1 and 2 star titles that are utterly unfamiliar, in hopes of never being that surprised again.

This is one of those unfamiliar 1-2 star books. [Read more...]

Threatened

Threatened by Eliot Schrefer
Scholastic, February 2014
Reviewed from an ARC

The art of reading for Printz is an interesting one; the pile adds and drops titles throughout the course of the year. With two stars and some buzz, Threatened was a back-and-forther for me — sometimes in the pile, sometimes to the side, sometimes near the top, sometimes moved to the bottom. But when it got shortlisted for the NBA, it came back to the top of the pile with a vengeance. We wondered if anyone would speak up for it…no one had much to say then. Maybe you’ve been saving your comments for a longer post? [Read more...]

The Hit

The Hit by Melvin Burgess
Scholastic, February 2014
Reviewed from an ARC

Melvin Burgess, Melvin Burgess, Melvin Burgess! So much love for Melvin Burgess, who can do dark and devious and subversive. The Hit has two starred reviews, an action-filled plot, unexpected twists, and a killer idea: a drug that will kill you after giving you the best week of your life. But will it go the distance during committee discussion?  [Read more...]

Death and Love: Sorrow’s Knot & The Coldest Girl in Coldtown

Today, I’m talking about two books that are in my personal top 10 of the year. And both revolve around death and love, two primal, powerful pieces of life.

And they’re both fantastic.

Other than that, they’re really different, and I suspect neither of them has much chance at a Printz nod, which is sort of a shame.

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A Corner of White

A Corner of White (Book 1 of The Colors of Madeleine), Jaclyn Moriarty
Scholastic, April 2013
Reviewed from ARC and final ebook

This is a doozy of a book. Clair talked about the difficulties summing up a complex book like The Raven Boys, but that would be a breeze compared to this one. It’s crowded and strange and whimsical but sort of deadly serious and heavy too.

Also, four stars, three year-end lists, two turtledoves and one not-a-list.

Well, not the turtledoves. (The not-a-list is the NPR tagged and searchable assemblage of best titles.)

So does it have a chance? Or, as a fellow librarian asked, is this one of those books that gets stars just because the reviewers don’t know what else to do with it?

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The Dream Thieves

We put out a call asking for interested parties to take a shot at making the case for their top book of the year, and today, occasional guest poster Clair Segal is back to do just that. Or sort of that, because she’s taken on a challenge: talking about a second book in a series.

Clair is the library technology librarian at a New York City independent school. You can read more of her thoughts on Twitter, at her own blog, or on the AISL blog.

The Dream Thieves, Maggie Stiefvater
Scholastic, September 2013
Reviewed from ARC

See, the thing no one told me about going to your first Annual is that it makes you act crazy.

Totally crazy. Librarian!crazy. (Which is frankly the best kind of crazy because all things in life are better when prefaced with “Librarian!”)

But crazy is crazy, and I acted the book-obsessed-fool in Chicago. I stumbled over my tongue telling Holly Black how “amazering” Coldest Girl was. I tried to show Emily Danforth that I was awesome and hip, and great best-friend material. I waited in an insanely long line to profess to an indifferent Tamora Pierce that she had changed my life forever at the tender age of nine. (“Hmm,” my childhood idol offered, nodding politely and sliding over a signed book as her handler motioned me on.)

Maggie Stiefvater’s The Dream Thieves made me beg a stranger for pity.

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