In my head, as I’ve written this post, it’s mostly been a series of exclamation points and the word “squeeeeeeee” interspersed with pictures from the book’s pages. I mean, that’s legit Printz discussion, no? With 6 starred reviews, gorgeous art, a meditative story line, it really seems like my work here is done and I’m only 57 words along in this review. But perhaps you need convincing? Or are just in the mood for a good gush? In the name of due diligence, let’s explore what’s making me go squee. We’ve got beautiful art, strong characterization and an emotional, summer-wandering plot with complicated themes adding texture and weight…I’m pretty much squeeing over the whole package of this spare-but-profound graphic novel. [Read more...]
Karyn wrote about the long slog of winter break reading just before a conference/blog deadline. I understand her image, but I think I spend winter break/early January more like a muppet: waving my arms around in a flurry of indecision (and, sometimes, stress because I’ve put off so much committee reading. Blerg!); now’s the time when we’re supposed to be firming up our thoughts on books and able to talk intelligibly about the year as a whole and how any given title fits into it. (Uh, but no pressure, right?)
I actually spent a good portion of my own break trying to catch up, at last, on the nonfiction books on our contenda list. I got to read about deadly diseases (well, one), certain death in the Arctic (well, practically certain!), and a young woman’s experience of the civil rights movement. These are all strong books — engaging reads, beautifully designed (I think; I actually read two of these titles as ebooks, so I’m making a few assumptions based on what I saw on my phone screen and what other people have said), important and enduring subjects — so if the Printz process is about winnowing down, I definitely have my work cut out for me! [Read more...]
Gosh golly, but I love rereading.
Books change upon acquaintance. They get deeper (or, sometimes, shallower, but let’s not go there); different aspects bubble to the top; when the reader is no longer at the mercy of the plot’s momentum there is time to really savor all the different elements, even those that were initially subtle notes.
(Also, apparently, books are actually pots of soup. Mmmm, soup.)
Seraphina is one of those books that improves upon acquaintance, and which lingers after consuming reading. Having now read it three times, I find that actually, I love this book. And while love is immaterial, I’m also incredibly impressed at the way it keeps revealing new facets (rather like the moment Seraphina first sees dragons in their dragon forms, and realizes that the initially dull scales are filled with all sorts of color, in fact).
At last! I finally get to write about my one true love of the year, the book I will champion against all others as the be all, end all best book of the year.
(Sorry, Railsea, you rock, but you’re still not number one, Pyrite nomination notwithstanding.)
Oh god, now that the moment is here I feel such pressure to make the case. Because this is, for my money, the runaway best written book of the year. And yes, I loved it, but that’s not actually the point at all. The point is that this is a masterwork of writing, full of literary flourishes, tightly plotted, rich in character, well-grounded in reality, haunting in setting, and just hitting it out of the park on so many levels. It deserves the Printz.
(And look, people, the world has been amazing about keeping mum about some of the intricacies of this plot, because there are twists and reveals and they are super. But after nearly a year of keeping mum unless the other party in the conversation had also read it, I’m going to break my discretion, because I can’t discuss CNV with any level of specificity or textual evidence unless I give it all away. So do us all a favor. If you haven’t read CNV yet, please don’t click through. This is a book that is already fettered by the weight of expectation for some readers; do yourself a favor and read it unspoiled. We’ll wait. You’ll be back.)
The Pyrite Printz* nomination period is drawing to a close!
Nominations are scheduled to close Wednesday, 11/28.
You may nominate any YA title published in the US in 2012. You may only nominate one book. Ready? Head over to the original nomination post to nominate via commenting.
Straw polling/ranking/winnowing will take place on 11/29-30, with the goal of posting the shortlist (10 titles) on 12/1. Use December wisely to read and marshal your arguments! We’ll discuss each book in early January, and the final vote will happen probably over Martin Luther King, Jr. weekend, the weekend before the ALA Midwinter conference and the Youth Media Awards announcements.
Read on for the formal nominations thus far.
This is easily one of the biggest titles of the year — six starred reviews! Big time buzz! John Green! Previous Printz winner! Nerdfighters! — so we’ve been thinking about it for a while. Since this is a book from a former Printz winner and honoree, we knew we’d be reading it with our Printz glasses on. When you add the serious subject matter, the thoughtful treatment of said subject matter, the memorable characters, and the five-hanky tear-jerker of a plot, you know there’s a lot to talk about in terms of Printz-worthiness.
Hazel has terminal cancer. Augustus is a cancer survivor who has lost a leg to the disease. They meet in a teen cancer support group. It’s complicated and baggage-filled love almost at first sight. She doesn’t want to die on him; he wants to save everyone. It’s clearly a recipe for heartbreaking disaster. Their mutual love of (fictional) Peter Van Hauten’s (fictional) An Imperial Affliction gives the two an excuse for a road trip, but plot happens and PLOT PLOT PLOT. [Read more...]