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Someday My Printz Will Come
Inside Someday My Printz Will Come

More Morris, or Rachel Hartman on Charm & Strange

Charm Strange cover More Morris, or Rachel Hartman on Charm & StrangeA few days ago on Twitter, Rachel Hartman (yes, you know, that Rachel Hartman, who brought us last year’s best debut — and one of last year’s best books, period), Seraphina, asked if we were doing a Morris shortlist roundup this year. The answer, sadly, was not really, because our Morris readership hasn’t been thorough enough. Out of that conversation came the following guest post, in which Rachel reviews Charm and Strange, the most Printz-buzzed of the Morris shortlist titles.

For those of you who don’t stalk follow Rachel on any social media, a few salient biographical details and some links: In addition to Seraphina (which won the Morris Award last year AND a Printz Honor) and also the author of the forthcoming sequel (in March 2015. I KNOW) Shadow Scale. She can, as mentioned, be found on Twitter, where she procrastinates, talks about music and writing, frequently makes me laugh, and is a general source of things that are Good. But if you really want all the details, you should head over to her website and blog, this month featuring Morris shortlist authors and books — in fact, she’ll be posting an interview with Stephanie Kuehn later today! But enough of the introduction and on with the write-up.

I asked Karyn whether y’all would be doing any kind of Morris roundup this year. She told me time was tight, so probably not. I’ve only read Charm & Strange from this year’s Morris list, but I volunteered to review it because I’m on deadline. My procrastination knows no bounds.

There will be spoilers ahead — to my great relief, since this is a difficult book to discuss without spoiling — but let me try to give you the spoiler-free condensed version first. I loved Charm & Strange, and that’s saying a lot. I’m a fantasy person. It takes a very special real-world, “problem” novel to keep my attention at all, let alone make me love it. This is an intensely painful book to read, however. In terms of awards, I don’t know. I never predict anything correctly. You could certainly write a multi-page paper on this book — or on the psychology, philosophy, and metaphor contained therein — and yet I don’t think I could bear to re-read it. I’m not sure how it would hold up if I did, since so much hinges upon the reader and Win discovering the truth together. Once all the terrible truths are revealed, is that all there is — and is that enough?

Come with me under the fold, and let’s dig into this thing!

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Eleanor & Park: Love Will Tear Us Apart

9781250012579 Eleanor & Park: Love Will Tear Us ApartEleanor & Park, Rainbow Rowell
St. Martin’s Press, February 2013
Reviewed from Final Copy

[Hey, listen. We do spoilers here, okay? Major spoilers, all the time. You've been warned.]

Just as I opened my laptop to write this review, it dawned on me that I first read Eleanor & Park over a year ago. Holding back tears that eventually spill into sobs is not a thing you forget easily. Especially when the thing that reduces you to a puddle of goo is, “Just three words long.”

I fell hard for this book. It felt like Rainbow Rowell had used my consciousness to write a novel I didn’t even know I had inside me; that’s how personal the experience was for me.

Before we delve into Rowell’s novel, let’s get back to the future for a moment. Since I read it as a digital galley last year, E & P has blown up. It’s a New York Times bestseller, has five starred reviews, and John Green has given the book a glowing recommendation in the New York Times Book Review. And if that isn’t impressive enough for you, Rowell’s other YA novel published this year, Fangirl, is also a critical success with five stars of its own. Most notable is that her novels appear together on SLJ‘s and the New York Times best lists. (Eleanor & Park is also on the Horn Book’s Fanfare, Publishers Weekly’s Best Books, and Kirkus’ Best Teen Books.)

Where there is high praise though, backlash will follow. With E & P in particular it’s been difficult to avoid all critical commentary, but my completely non-empirical understanding is that race, historical context and accuracy have been among the issues raised. And then there are those who say that it’s just not that good.

For the record, I still love this book. That won’t go away, at least not any time soon. That doesn’t mean though that I can’t think critically about the work; time and revisiting the text—a re-read of the final copy and a listen of the audiobook—have certainly sharpened my reading and there is a lot to discuss.
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