What does it say about a book when as a reader, I’m far more engaged by its themes and the questions it explores than the story or main characters? Or does it say more about me? This is what I’m grappling with as I complete my second read of Morris Award Finalist Nina LaCour’s sophomore effort, The Disenchantments.
Clearly, with three stars under its belt — from Kirkus, PW, and SLJ — this is a well-regarded title, and with good reason. Kirkus called it “hauntingly beautiful”, while SLJ’s reviewer pronounced it “contemplative but spectacular”, but while I’ll certainly buy beautiful and contemplative, I haven’t been haunted by this book at all. In fact, after reading it this winter, I had to undertake a complete re-read to remind myself of some major plot points.