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Someday My Printz Will Come
Inside Someday My Printz Will Come

Boys Will Be… Knitters and Lovers and Funny, Oh My

Simon VS the Homo Sapiens Agenda coverBoys Don't Knit coverSimon VS the Homo Sapiens Agenda, Becky Albertalli
Balzer + Bray, April 2015
Reviewed from ARC

Boys Don’t Knit, T.S. Easton
Feiwel and Friends, March 2015
Reviewed from final copy

It’s a twofer Monday, today, with two delightfully warm, funny, and frankly tender tales of boys grappling with what it means to be a boy, and also what it means to fall for someone.

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You know nothing, Mim Malone: Mosquitoland

Mosquitoland coverMosquitoland, David Arnold
Viking, March 2015
Reviewed from final copy

There are major spoilers ahead so if you don’t want to know major plot points for Mosquitoland proceed with caution.

At a certain point in one’s reading life, first person narration immediately triggers suspicion of an unreliable narrator. It’s not a terrible starting point because when do people ever tell stories without bias? The conventional wisdom is that everyone is the hero in their own story and this is definitely true of Mim Malone, our unreliable, letter-writing, narrator who runs away from the titular Mosquitoland (her new home in Mississippi) to rescue her ailing mother in Ohio. Mim is smart enough that we can believe in her ability to make the journey and navigate the various practical obstacles, but broken enough for us to question her emotional stability and judgment. Her voice is clear and distinct in David Arnold’s quirky road trip odyssey.

This is his debut novel and landed on our list after earning three stars. Amid the buzz however, there’s been criticism aimed at Mim’s understanding and use of her “one-sixteenth” Cherokee heritage. On her blog, American Indians in Children’s Literature, Debbie Reese has written extensively about this issue; I encourage you to check out her posts including one in which David Arnold responds to the criticism. Since that conversation has been so thoroughly and thoughtfully covered, let’s look at some of the other criteria to determine the possibility of seeing Mosquitoland earn a special sticker this winter.

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Audacity by Melanie Crowder
Penguin/Philomel, January 2015
Reviewed from ARC

I have a copy all marked up with post its; Audacity is full of lovely language, creatively placed text (srsly, such nice design), and strong recurring images, and I want to put lots of quotes in for oooh-ing and aww-ing purposes. However, I GUESS we are here for a slightly more substantive discussion. So let’s get started. With three stars and some buzz floating around, this historical fiction in verse is eye-catching and discussion-worthy — but will it go the distance at the table? [Read more…]

Dark Horses

Some dark horses for your viewing entertainment.

For our final review of the season, squashed in at the 11th hour, we bring you a quick and dirty final roundup to shed a little bit of love on some books that we never got to discuss at length but that we still think deserve a little attention.

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Picture Books for … Teens?

It’s rare that there are true all-ages picture books.

This year, we have two of note.

Both are beautiful, thought-provoking, unusual, and skew way up. All the way to adolescence and beyond.

I’ll eat my hat if either receives a silver from the RealCommittee. Hell, I’ll eat all y’all’s hats. BUT. These are gorgeous books with appeal for older readers, so here’s me shining a bit of light on them.

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Partial Non-Fiction Roundup

We’ve got a small list of nonfiction titles to go through today — all with starred reviews, and two on year’s best lists. These are all good non-fiction, solid reads. I liked them. Understand: these are no frogs here, and I enjoyed the kisses very much. Buuuuuut… I’m not convinced that they’ll be talked about in a major way at the Printz table. [Read more…]

She Is Not Invisible

coverShe Is Not Invisible, Marcus Sedgwick
Roaring Brook Press, April 2014
Reviewed from ARC

Marcus Sedgwick has literary chops. Here’s an author who knows his way around a sentence. Last year, Karyn and I predicted that Sedgwick’s Midwinterblood would get a shiny sticker, despite our reservations about the novel’s ability to hold up under close scrutiny. We agreed that Sedgwick’s beautiful use of language and the book’s complicated structure would be enough to put it in the winners’ circle, so neither of us were surprised when Midwinterblood won Printz gold.

Sedgwick’s followup, She Is Not Invisible, isn’t likely to repeat its predecessor’s success. That doesn’t mean, however, that it’s a disappointment. In terms of critical response, it’s on Kirkus‘ best list for 2014 and has received three stars. It’s an interesting and satisfying reading experience, displaying some of the technical skills one expects from Sedgwick. Compared to the rest of 2014’s contenders though, it falls just below the best work of the year.

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Grasshopper Jungle

This book. This book! I loved it. Also I hated it. It has amazing characters, and then it has crimes against female characters. It’s A Tale of Two Cities for me on this one — this book contains multitudes and also contradictions galore. It probably deserves an award, except when it doesn’t.

There’s a reason I’ve been dragging my feet on writing this review. Actually, reasons. Lots of them. This is an extraordinarily impressive book. Except when it isn’t. ARGH!

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Althea and Oliver

Althea and Oliver by Cristina Moracho
Viking, October 2014
Reviewed from final copy

This book really amazed me by being a story that is bigger and harder and rougher and rawer than I thought it would be. It’s been named for two year’s best lists, and garnered three starred reviews, so it’s not just me feeling amazed. Althea and Oliver is a debut book that went far darker than I expected, and did so intelligently and memorably. While it’s not a perfect read, the more I think about this one, the more impressed I am.  [Read more…]

The Story of Owen

The Story of Owen: Dragon Slayer of Trondheim by E. K. Johnston
Published by Carolrhoda Lab, March 2014
Reviewed from final copy

You know we’re not going to get out of here without a Trogdor reference, right? I mean, that’s not in any way the point or even relevant, but it’s still burninating me up inside. Much like the countryside and all those peasants. Which doesn’t get us to the three stars, the three best of year lists (so far), or the placement on the Morris shortlist. The Story of Owen may not have thatched-roof cottages, but it is mostly full of fantastic fantasticness. [Read more…]