Another guest post — it took a while for anyone to take us up on the offer, but when it rains, it pours! Maggot Moon is a fascinating book, one I admired greatly, and here to talk about its Printzly qualities is Barbara Moon. [Read more...]
The weather is getting colder, Starbucks broke out the red holiday cups , and Thanksgiving is just around the corner. But let’s go back to that happier—and warmer—time in late August when two novels about love were published: The Beginning of Everything and The Infinite Moment of Us. These two books aren’t on our long list, but in a year when contemporary realistic romance is ubiquitous, each of these novels has noteworthy qualities. Let’s snuggle up and discuss, shall we?
(By the way, you know we do spoilers here, right? Don’t say I didn’t warn you when I spill some major secrets.)
The 5th Wave, Rick Yancey
Putnam Juvenile, May 2013
Reviewed from ARC
Apocalyptic scenario, isolated teen in the woods, romance against-the-odds… we’ve been down this desolate road before. Rick Yancey’s tough-girl protagonist is Cassie (short for Cassiopeia) who is determined to find her younger brother. The 5th Wave goes beyond the familiar premise as a richer and more satisfying doomsday novel. The action is coherent and genuinely thrilling and tense, and the multiple narrating voices with converging plot lines create an interesting structure.
Yancey previously received the Printz Honor for The Monstrumologist. This novel similarly uses horror and is the first in a projected series. Will The 5th Wave make Yancey a twice honored author?
To give you a metaphor in my native tongue: if this were a summer popcorn movie—which it one day may be—it would get two thumbs up, but once Oscar season rolled around, a Best Picture nomination for The 5th Wave would be a long shot.
Ok, not all the books, but a whole cluster of the titles that we wanted to cover and hadn’t gotten to yet, tidily rounded up in one post for your perusal.
In the last two weeks, I’ve read two more from the original contenda list (Pinned and Aristotle and Dante Discover the Secrets of the Universe), one Morris shortlist title (Love & Other Perishable Items) and two dark horse candidates that were brought to our attention by readers (In Darkness and Various Positions).
Sarah will be sharing a few more titles tomorrow, but sadly, neither of us managed to read Andrew Smith’s Passenger, a late addition auto-contender. It is, however, beyond a long shot for the RealPrintz — book 2 of a series, and, based on the first chapter and some student feedback, impenetrable without having read the first book.
(But if you never read the first book, The Marbury Lens, and want a really disturbing, stark, and very well-written book to read next, pick it up, because it really is a powerful read.)
We’re also sad to say that two buzz titles recommended by readers never made it onto either of our piles — Monument 14, recommended by Jen Hubert of Reading Rants, and The Opposite of Hallelujah, recommended by Kelly of Stacked. These are two well-read critics, and Jen definitely has a nose for Printz winners, so do check out their respective reviews. Whether or not either of these titles are named on Monday, they are definitely worth seeking out.
Okay, enough housekeeping! Onto the last of my 2012 reading.
Another (and last for the year) guest post from pinch-hitter Joy Piedmont. This time, Joy raves about a book that made the contenda list with three stars but mostly deserves recognition as a serious buzz book. I’m a long time fan of Adele Griffin’s, and this is, I think, a stronger candidate than her last few YA titles when it comes to award chat. But I’ll let Joy explain why…
All You Never Wanted: it’s a gem of a title, isn’t it? It’s a warning, a temptation, and a promise written directly at you, pulling you in.
And Adele Griffin’s latest has more than a great title. It’s an engaging study of two teenage sisters told from their alternating perspectives. Attention-seeking Thea and anxiety-stricken Alex seem to be direct descendants of Edith Wharton’s characters. (It’s no surprise that in a recent online Q&A, Griffin revealed that she went through a Wharton phase, and discussed how that may have influenced AYNW). Like Wharton’s, Griffin’s characters are complex and fully realized in an exploration of wealth, privilege, class, desire, jealousy, and anxiety.
In the end, it’s a gorgeous little TARDIS of a novel.
(Bigger on the inside, for you non-Whovians).
Karyn wrote about the long slog of winter break reading just before a conference/blog deadline. I understand her image, but I think I spend winter break/early January more like a muppet: waving my arms around in a flurry of indecision (and, sometimes, stress because I’ve put off so much committee reading. Blerg!); now’s the time when we’re supposed to be firming up our thoughts on books and able to talk intelligibly about the year as a whole and how any given title fits into it. (Uh, but no pressure, right?)
I actually spent a good portion of my own break trying to catch up, at last, on the nonfiction books on our contenda list. I got to read about deadly diseases (well, one), certain death in the Arctic (well, practically certain!), and a young woman’s experience of the civil rights movement. These are all strong books — engaging reads, beautifully designed (I think; I actually read two of these titles as ebooks, so I’m making a few assumptions based on what I saw on my phone screen and what other people have said), important and enduring subjects — so if the Printz process is about winnowing down, I definitely have my work cut out for me! [Read more...]
One of the best things about having progressed from new librarian to rapidly aging librarian is the opportunity to work with bright young things. Former colleague Clair Segal is now the library technology coordinator at an independent school in NYC, and has graciously agreed to guest blog for us once again, this time about Libba Bray’s The Diviners. (If you take a close look at the acknowledgements in The Diviners, you’ll see why we farmed this favorite out — conflict of interest, what??)
Also, after you read her guest post, if you find yourself thinking, “Hey, this girl is awesome!” you should go check out her blog, the aptly titled Awesomebrarian.
So, Dodger is a heartsong book for me. I realize it’s not perfect — certainly not with regard to accuracy, which we’ll get to in a moment — but it is almost perfectly put together, and is certainly enough of an exemplar of voice, style and thematic development that I hope the 2013 RealCommittee will take a serious look (or maybe a second look) at it. In view of all the great titles before us, I would be surprised to see it take the gold, but you’d have to be a real nasty geezer, to borrow a term from Dodger himself, to snipe at any accolades thrown Sir Terry’s way. [Read more...]
Alright, y’all, I’m having a rough blog post, OK? Because I have here two books that I thoroughly, thoroughly enjoyed reading for myself. But when I switch to my magical Printz-o-vision, neither Keeping the Castle nor For Darkness Shows the Stars stands up to a more critical analysis. Pity me, the poor blogger, who has to write up why these books that are decidedly entertaining reads just don’t work in the context of our blog. Boo!
For Darkness Shows the Stars by Diana Peterfreund
Balzer + Bray, June 2012
Reviewed from a final copy
Let’s start with Diana Peterfreund’s For Darkness Shows the Stars. It’s a retelling of Persuasion, set in a dystopic future. This title got one starred review and a lot of love in our comments — ha, and the last time that happened, I ended up reviewing Where Things Come Back…well, we all know how THAT ended. [Read more...]