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Someday My Printz Will Come
Inside Someday My Printz Will Come

Anna and the Swallow Man

anna-swallowAnna and the Swallow Man, Gavriel Savit
Knopf, January 2016
Reviewed from ARC

For the first posted coverage of the season, I thought I’d start with one of the earliest publication dates on our list. Anna and the Swallow Man came out in January. It had huge pre-publication push; we received at least 4 copies just to the school Joy and I work at, at least one of which was in a lovely paper slip cover. And it picked up three stars out of the gate (HB, The Bulletin, and PW): not a bad opening to the year. So does it live up to the hype or the buzz?

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2015 Nonfiction Part Two

stonewall boys challenged hitlerStonewall: Breaking Out in the Fight for Gay Rights by Ann Bausum
Viking, May 2015
Reviewed from final copy

Boys Who Challenged Hitler: Knud Pedersen and the Churchill Club by Phillip Hoose
Farrar, Straus, and Giroux, May 2015
Reviewed from final copy

We’ve got two nonfiction reads. They’re both short, they’ve both received a lot of stars, and they’re both bringing new material to teen collections (IE, they’re full of SIGNIFICANCE, which may not be Printzly, but is still exciting and interesting to talk about). Will either one go the distance? [Read more…]

Children of the King

Children of the King, Sonya Hartnett
Candlewick, March 2014
Reviewed from ARC

Luxuriant prose, complicated and resonant themes, contemplative characters — Hartnett’s historical fiction is actually a bit of a genre-blender with thin fantasy elements woven in. Traditionally, the Printz committee rewards books that mix genres — but RealCommittee choices also tend to skew older, and Children of the King has been pegged by publisher and reviewers as a middle grade title. It’s happened before — David Almond comes immediately to mind; Hartnett’s rich descriptions and haunting strains of magic woven into the plot invite that comparison. [Read more…]

Code Name Verity

Code Name Verity, Elizabeth Wein
Hyperion, May 2012
Reviewed from ARC

At last! I finally get to write about my one true love of the year, the book I will champion against all others as the be all, end all best book of the year.

(Sorry, Railsea, you rock, but you’re still not number one, Pyrite nomination notwithstanding.)

Oh god, now that the moment is here I feel such pressure to make the case. Because this is, for my money, the runaway best written book of the year. And yes, I loved it, but that’s not actually the point at all. The point is that this is a masterwork of writing, full of literary flourishes, tightly plotted, rich in character, well-grounded in reality, haunting in setting, and just hitting it out of the park on so many levels. It deserves the Printz.

(And look, people, the world has been amazing about keeping mum about some of the intricacies of this plot, because there are twists and reveals and they are super. But after nearly a year of keeping mum unless the other party in the conversation had also read it, I’m going to break my discretion, because I can’t discuss CNV with any level of specificity or textual evidence unless I give it all away. So do us all a favor. If you haven’t read CNV yet, please don’t click through. This is a book that is already fettered by the weight of expectation for some readers; do yourself a favor and read it unspoiled. We’ll wait. You’ll be back.)

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