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A Fuse #8 Production
Inside A Fuse #8 Production

Review of the Day: The Word Collector by Sonja Wimmer

The Word Collector
By Sonja Wimmer
Translated by Jon Brokenbrow
Cuento de Luz
ISBN: 978-8415241348
Ages 4-8
On shelves now

What is the ultimate goal of the picture book import? When someone takes the time to bring over and translate a work for children, they’re expecting that book to be able to say something universal. They want the book to be enjoyable to child readers regardless of nationality, which, when you sit down and think about it, is a pretty lofty goal. Yet this year I’ve been seeing some absolutely amazing translations in America for kids. From the Colombian Jimmy the Greatest to the Norwegian John Jensen Feels Different to the French My Dad Is Big and Strong, But . . . this has been an amazing year for international children’s literature. Now Spain enters the ring with La Coleccionista de Palabras or The Word Collector. A heady infusion of striking images and playful content, author/illustrator Sonja Wimmer brings us a fantastical tale that has something to say to us today, yesterday, and tomorrow as well.

What do you collect? Coins? Stamps? Stickers? Have you ever considered collecting words? Luna, the heroine of this little tale, does exactly that and the job fills her days. Whether they’re magic words or delicious words or humble words, pretty much if they are words she is interested. The trouble only comes the day that Luna reels in her nets to find just a paltry smattering of words, hardly enough to satisfy. It seems the people of the word just aren’t using the beautiful words out there anymore. So what’s a girl to do when the world grows forgetful? She packs her suitcase with every word in her arsenal and sets off to right a great wrong, that’s what.

This is not a book for lazy people. It demands that you work at it. You can’t just sit back and have the text come to you as you flip through the pages. Some spreads seem fairly straightforward with the words traveling in a single straight line. Other times I felt like I was reading Bob Raczka’s Lemonade again, picking out the words and sentences where I could find them. Your first indication that this isn’t the usual fare comes on the fourth or fifth pages of the story. After reading that there was a girl named Luna who lived in the sky we encounter this luminous (most of the pages are luminous, by the way) image of a red haired child Madonna of sorts staring into a glass container of softly glowing letters like a kid with a firefly jar. When I first encountered this picture I was amazed that Wimmer had the guts to create a wordless spread this early in the storyline. It was only after a close examination that I realized that the letters were words and, more to the point, were continuing the story. After that I was ready to encounter sentences that ran backwards or swirled in goldfish bowls or fell from balconies. For those folks who find the book too difficult, they may be pleased to learn that the full text appears in plain old black and white at the end of the book. That is, if you want to do it the easy way.

Wimmer’s style reminds me not a little of illustrators like Emily Gravett, mixing ephemera into her art, causing the reader to just want to read every tiny hidden detail and each revealed letter. Yet when it comes to the medium and the paints, Wimmer strikes me as very much along the same lines as fellow Spaniard Ana Juan (though Wimmer is originally from Germany, I believe). Both artists appreciate the pulsing beauty that can be found in the everyday. What makes Wimmer’s style entirely her own, however, is how unafraid she is to shake up her perspective and angles. One minute we’re just a hair’s breath away from Luna’s face and the next we’re on a balcony with her staring down to a distant suitcase below. Next we’re looking up at the underside of dragonfly bellies and the undercarriage of a red hot-air balloon, turning the page to find ourselves in the midst of a very silly but energetic brawl. The figures in these images, you will forgive me, are clearly not drawn in the United States. That’s just a statement of fact. You can tell. And there is something enjoyable in their goofy flesh that will engage Yankee children as easily as those across the Atlantic. Silliness, thank goodness, is universal.

Translator Jon Brokenbrow does a fine job of capturing the dreamlike qualities of the book without losing any of the magic. Picture book translation is a difficult art, and with a plot like this one (girl gives away words and people are happy) there’s a danger of crossing over from “poetic” into “simpering”. Fortunately for all parties involved he walks a careful line, never indulging in excess sentiment. What I can’t quite figure out is how they managed to translate the book and retain the art. The remarkable thing about The Word Collector is the very fact that the words are PART of that art. Change the letters and doesn’t that mean that you need to redo the images as well? I don’t know how they did it but by and large every necessary word is changed for English speakers. There was only one image that didn’t quite look translated to me. In the upper right-hand corner of one two-page spread we see a clown face made out of letters that seem to spell out PALABRAS LOCAS. So it looks as though the phrase “crazy words” got missed. Interestingly they do show up in that black and white section at the book’s end.

Though I’ve compared the artist to other illustrators and the book to other titles, truly The Word Collector is most similar to Roni Schotter’s old picture book The Boy Who Loved Words if only because illustrator Giselle Potter shares Wimmer’s love of breaking up text in artistic ways. Consider too pairing it with the recent William Joyce title The Fantastic Flying Books of Mr. Morris Lessmore for a celebration of words both on and off the page. A title that leaps and spirals with energy, let’s hope we’re lucky enough to see other books by Ms. Wimmer float across the pond to our side, and soon. Luminous luminous luminous.

On shelves now.

Source: Final copy sent from IPG Publicity Department for review.

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About Elizabeth Bird

Elizabeth Bird is currently the Collection Development Manager of the Evanston Public Library system and a former Materials Specialist for New York Public Library. She has served on Newbery, written for Horn Book, and has done other lovely little things that she'd love to tell you about but that she's sure you'd find more interesting to hear of in person. Her opinions are her own and do not reflect those of EPL, SLJ, or any of the other acronyms you might be able to name. Follow her on Twitter: @fuseeight.


  1. Thank you for this review. I’m scurrying over to place an order ASAP. This is one gorgeous book.


  1. […] missed this earlier 2012 picture book title from Sonja, which I should really remedy right away at my nearest bookstore or library. […]