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Sex & Violence

Sex & ViolenceSex & Violence, Carrie Mesrobian
Carolrhoda LAB, October 2013
Reviewed from ARC

Time for a true confession: of the five 2014 Morris Award nominated titles, I’ve read only one. All of the books had been on my to-read list before becoming Morris finalists, but we all know what happens with to-read lists and then you’ve only read one of the books. Fortunately for me, that book was Carrie Mesrobian’s Sex & ViolenceIt’s challenging and smart work from a promising writer—truly deserving of the Morris nod (and I really regret not being able to judge it against the rest of the field).

Mesrobian has a clear thesis in Sex & Violence; it’s mostly there in the title, but she’s also interested in how an already emotionally detached young person copes with PTSD. The latter is really the meat of the book and what makes it work: after a violent attack in his boarding school’s shower leaves him without a spleen, Evan begins to question his sexual history and actions which led to the assault. Mesrobian puts the reader directly in his head by writing in first person, but Evan is never entirely honest with himself, making him an impenetrable narrator. It’s only in his letters to Collette where he reveals anything true about himself, because it’s as he writes these letters that he begins to understand who he is. Evan’s voice is consistent and pitch perfect; this kind of assured writing is worth the price of admission.

As a coming-of-age novel, the book is unique in that the plot doesn’t follow a typical trajectory. Evan’s self-discovery is slow, subtle, and not entirely resolved; in other words, it’s totally realistic, not realistic fiction. The downside of the book’s stark realism is that for long stretches, it seems like not much is happening. That’s not to say that the book is boring; indeed, the character development of all the characters, but of Evan in particular, maintain interest. However, pacing was an issue that occasionally marred the reading experience.

Although not without flaws, Sex & Violence is a fascinating debut novel. Mesrobian has a great ear for dialogue, particularly teen-speak and profanity that never feels contrived or overused. This is a book that’s received a warm critical response, but I’m not sure that there’s been a ton of Printz buzz. And that’s okay. Mesrobian undoubtedly has tighter and stronger writing in her future.

For additional (and much deeper) critical commentary on Sex & Violence head over to Stacked, where Kelly Jensen’s written a terrific review. Also (just because) you really need to check out Mesrobian’s tumblr, Conversations with My Fake Boyfriend. It’s like the Ryan Gosling Hey Girl meme, but a million times better and funnier. Trust me, it will make your day better.

Anyone out there think this is a legit Printz dark horse? I’d also love someone to chime in on how it stacks against the Morris competition. So go ahead, comment away!

About Joy Piedmont

Joy Piedmont is a librarian and technology integrator at LREI - Little Red School House & Elisabeth Irwin High School. Prior to becoming a librarian, Joy reviewed and reported for Entertainment Weekly’s PopWatch. She reviews for SLJ and is the President of the Hudson Valley Library Association. When she’s not reading or writing about YA literature, she’s compulsively consuming culture of all kinds, learning to fly (on a trapeze), and taking naps with her cat, Oliver. Find her on Twitter @InquiringJoy, email her at joy dot piedmont at gmail dot com, or follow her on Tumblr. Her opinions do not reflect the attitudes or opinions of SLJ, LREI, HVLA or any other initialisms with which she is affiliated.


  1. Tara Kehoe says

    I’ll happily chime in on Sex & Violence which I LOVED. Realistic, interesting, romantic, funny, unique, likeable characters, current issues, and I could go on and on. I particularly loved how the real “action” happens in the very beginning and the remaining (bulk) of the book was the effect it had on Evan. It was bittersweet in the end– but real. So amazingly REAL. To loosely borrow from a quote I think I read on the back from Patrick Jones: this one is important like Rats Saw God. Dark horse contender? Probably no. Should it be? YES!

    I read 3.5 of the 5 Morris nominees. Interestingly, three were about male protagonists, dealing with emotional trauma and mental health issues. I feel a bit bad for Charm and Strange and Dr. Bird… while they were both good, they will forever be compared to Sex & Violence and come up short. I read half of In the Shadow of Blackbirds but it did nothing for me– actually, the cover art and and photos throughout were incredible–but the story: meh. Haven’t gotten to Belle Epoque– yet.

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