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Sophie saves a young bonobo who she names Otto; she cares for him, beginning to understand, a bit, why her mother does what she does; why, when her American born father’s company transferred him back to the United States six years ago, her Congolese mother chose to remain in her country and not go with her husband and daughter.
Sophie’s mother is in a remote part of the country, leaving Sophie and the sanctuary workers behind caring for the bonobos, when violence breaks out. An armed revolution has begun. Sophie’s American father and American passport may save her, give her a way to escape the violence, but Sophie cannot bring herself to abandon Otto. Sophie decides to stay with Otto. When the sanctuary itself is attacked, Sophie has to figure out a way to save herself and Otto.
The Good: I’ll be honest; this is another book that I was nudged to read because of it being named a finalist for the National Book Awards. Here, the reason is that I looked at the cover and thought, “animal book,” and I am not an animal person. No, really, despite sharing the house with three cats, six chickens, seven hermit crabs, two ant farms and (on a temporary basis) a bearded dragon. Plus, technically, the crickets that the bearded dragon eats.
So, yes, this is an “animal book” in that Sophie rescues and cares for Otto, a bonobo (a great ape, not a chimpanzee). Endangered will deliver what readers who want animal books want: the bonobos are front and center. The reader learns a lot about bonobos, why they are in danger (the violence in the country they live, as well as hunters and poachers), why a sanctuary is needed for them, why humans (such as Sophie) care for bonobos, how the bonobos interact with one another, and efforts to have the bonobos live in the wild without being in danger from humans. Endangered provides this information but never dumps it on the reader; it is always conveyed as part of the story, of what either Sophie is learning or observing as she takes care of Otto.
The bonobos live in Congo; and the situation there isn’t simple. As Sophie says at the start, “The Democratic Republic of Congo: Where Even the Bullet Holes Have Bullet Holes.” Sophie was born there, raised in the capital of Kinshasa for her first eight years, and now returns every summer. She is half American, and half Congolese, and Schrefer paints a portrait of a girl who is both insider and outsider in both worlds she lives in. In the States, she’d “been the only African girl in the whole school. I’d gotten plenty of looks, with my plastic slippers and hair whose kinkiness I hadn’t decided whether to embrace or fight.” In Congo, she is sometimes called “mundele,” because “any white person was called a mundele. It was a sarcastic way to paint anyone who as white as stuck-up. While my dad is white, my mom is black.”
By having Sophie be part American and part Congolese, Sophie has insider knowledge of what is happening in Congo and the history of that region and language. It also makes her enough of an outsider that when she ends up her own, with Otto, she has to be careful when she meets others Congelese. A revolution is going on, and she knows she is at risk, as a female and as an American. Endangered is a look at a country, it’s history and people and complexities. It’s not all violence and bullets — far from it. More on that below.
When the revolution breaks out, Sophie does not take advantage of the escape offered because of her passport because she refuses to abandon Otto. On one level, it’s because of her tight bond with Otto; go deeper, and it’s Sophie’s sense of responsibility because she fears that Otto has so bonded with her that he will not survive without her; go even deeper, and it’s about Sophie’s own issues from having been “abandoned” by her mother when her mother chose the bonobo sanctuary over moving to America with her husband and daughter. Sophie sacrifices safety and comfort to protect Otto. Endangered is also a coming of age story as Sophie matures, growing in understanding and acceptance of her mother’s own choices (including the realization that the choices weren’t simple) as well as her own choices in deciding to risk so much for a bonobo.
The risks of being in the middle of an armed conflict — Schrefer handles this with a perfect touch. The violence and risks are clear from the first page (bullet holes have bullet holes); and, yes, people are killed. People Sophie cares about are killed. There are scenes that are heart-breaking, but Schrefer knows just what to say and what not to say to portray the danger while not being unnecessarily graphic. For example, Sophie often observes the risks a girl faces alone. At the start she is in guarded areas, and later on she has to figure how to hide from others. Sophie never specifies that what she fears is sexual assault and rape.
Endangered becomes the ultimate survival story when Sophie refuses to leave Otto. The sanctuary is attacked, and Sophie escapes into the bonobo enclosure that is protected by an electrified fence. She is safe from the armed combatants but can hear the gunfire and screams; she has also locked herself into an enclosure with adult bonobos who may see her, a human, as a threat. There is no food, no shelter, and she has to care for Otto. As time passes, the enclosure no longer is safe and Sophie is forced into the countryside, trying to find a way to get to her mother.
As mentioned earlier, Sophie has much to fear, as a young girl traveling alone; as a person travelling with a bonobo that some may view as a food source. Sophie meets people as she travels, people who help, people she has to hide from. The diversity of the people of Congo is shown in her travels, as well as the staff at the sanctuary; while Sophie is caught in the midst of a revolution, it’s quite clear that Congo is more than a place of violence. One of the things I really liked about Endangered is the way it portrayed Congo and its people and its history. Sophie being forced outside the sanctuary and enclosure is another example of how Endangered is has multiple layers: the surface one of Sophie and Otto’s journey; the deeper one of Sophie being forced out of her childhood, having to rely only on herself, not on parents or friends or country.
I don’t want to spoil what happens, or give away the ending, because I know many people read to find out what happens. I will say that I liked how Sophie’s journey ends; I love the woman she becomes; I like that the ending is hopeful but not unrealistic and that what happens with Otto is likewise true to the situation rather than a Hollywood movie.
Endangered is easily one of my Favorite Books Read in 2012, because I adored Sophie even when I was yelling at her about her choices. I’ll be honest, I’d have gotten into the van for the airport and waved good-bye to Otto. This is a favorite book because despite being the non-animal person I ended up caring for Otto, and understanding why Sophie and her mother do what they do. More reasons I love this book: because I learned about the situation in Congo and the impact of wealthy foreigners on that country; because Sophie was smart and a survivor; because of the suspense and tension about what was going to happen to both Sophie and Otto; and because no easy, simple answers were given about Sophie, the bonobos, Congo, or the Congolese.
About Elizabeth Burns
Looking for a place to talk about young adult books? Pull up a chair, have a cup of tea, and let's chat. I am a New Jersey librarian. My opinions do not reflect those of my employer, SLJ, YALSA, or anyone else. On Twitter I'm @LizB; my email is email@example.com.
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