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Someday My Printz Will Come
Inside Someday My Printz Will Come

About Sarah Couri

Sarah Couri is a librarian at Grace Church School's High School Division, and has served on a number of YALSA committees, including Quick Picks, Great Graphic Novels, and (most pertinently!) the 2011 Printz Committee. Her opinions do not reflect the attitudes or opinions of SLJ, GCS, YALSA, or any other institutions with which she is affiliated. Find her on Twitter @scouri or e-mail her at scouri35 at gmail dot com.

Challenger Deep

challenger1Challenger Deep by Neal Shusterman
HarperCollins, April 2015
Reviewed from a final copy

Six starred reviews. One of the titles on the NBA longlist. This is a deeply personal story, one that has authenticity and hope. Although I’m still frantically reading 2015 titles, this is the book that has me excited at this point in the year. Challenger Deep has a lot of critical love, obviously, but it’s got a lot of general buzz as well — and a combination like that can be powerful at the table. 

The biggest challenge: it takes a certain amount of patience to push through the initial confusion of the beginning. The way Caden’s worlds collide and mix up with his dreams, you need to put the work in at the start in order to make it to the end. But this is a read that rewards patience and tenacity because the way the stories intertwine enrich the reading experience as a whole. The split worlds actually are (for me) the greatest strength of the novel; they comment on each other, reflect and refract each other, eventually coming to a merging point.

Shusterman’s language in moving between these worlds, too, is masterful. At crucial points in the text, Caden’s first person narration switches to second person, pulling us in as readers, binding us even more tightly to Caden. Shusterman is using his story not just to talk about a character who is mentally ill; he’s showing us, he’s bringing us along for the ride. We are next to Caden, addressed directly by Caden — the reader is subtly but powerfully tied to Caden’s story and to Caden’s perspective.

As a narrator, Caden is funny and charming despite his unreliability. (Hmmm. That’s not the perfect word, but I can’t think of a better one, so I’m going to leave it there. Maybe you all have a suggestion?) On his family’s trip, he describes his car sickness: “One step short of vomiting. Which, I suppose, makes me like everyone else in Vegas.” Heh. Sounds like a wry teenage boy right there. His voice is what can pull readers through the initial confusion of the split worlds. His utter relatability allows us as readers to go along for the ride, navigating his symptoms; we can’t help but actively try to connect with him.

The other characters don’t stand out quite as much; this is most definitely Caden’s story. His parents take up a parental amount of space (they are humanized and interesting, certainly sympathetic, but are not really the focus; this is YA, after all). The figures on the boat in the trench are well balanced; they start out seeming larger than life (and seem in some ways to be extensions of Caden himself), and end up corresponding to people in Caden’s hospital world. Even with these multiple roles, though, Caden voice and experiences dominate the story.

The writing is really beautiful, full of details and descriptions. “I push past the stars into that dark light, and you can’t imagine how it feels. Velvet and licorice caressing every sense; it melts into a liquid you plunge through; it evaporates into air that you breath.” There’s specificity and sensuality in it. It’s quotable and clear, both moving the story along and helping readers appreciate Caden and Caden’s perspective.

The text includes line drawings. They work to illuminate particular moments in the story, and add movement and emotion. The swirling, disconnected lines can be intense. They’re a fantastic way to see inside Caden’s head — another way to connect with our central figure.

But the big question we’re supposed to be figuring out here: do we think this will take a medal? I think it could. In a way, I almost wonder if coming up against the titles Joy reviewed a while ago could be to its advantage. I’ve certainly got more to read before my year is over, but this is one strong contender. What do you all say?

The Tightrope Walkers



The Tightrope Walkers by David Almond
Candlewick, March 2015
Reviewed from an ARC

Oh, I am conflicted about this one. This is gorgeous, gorgeous writing — even the first line pulls you in and lets you know that you’re in for something unusual here (“I was born in a hovel on the banks of the Tyne, as so many of us were back then.”) With a careful balance of themes, metaphors, and images (tightrope walking, but also literally happening, the cane of Miss O’Kane, generational hopes and disappointments), this is meticulously crafted. It’s also got unsettling violence, and the ways it uses this element has got me asking hard questions. [Read more…]




Audacity by Melanie Crowder
Penguin/Philomel, January 2015
Reviewed from ARC

I have a copy all marked up with post its; Audacity is full of lovely language, creatively placed text (srsly, such nice design), and strong recurring images, and I want to put lots of quotes in for oooh-ing and aww-ing purposes. However, I GUESS we are here for a slightly more substantive discussion. So let’s get started. With three stars and some buzz floating around, this historical fiction in verse is eye-catching and discussion-worthy — but will it go the distance at the table? [Read more…]

Pyrite Redux: Days of Future Past

Next up in our countdown to the Pyrite: a conversation on science fiction, dystopias, big ideas, rancid politics, and the girls who have just about had enough — girls who chart the world’s meltdown. Taking a look at a dirty and distressing near future, we’ve got A.S. King’s Glory O’Brien’s History of the Future paired with Alaya Dawn Johnson’s Love is the Drug. [Read more…]

Sex and girls and stuff

We’ve got another round up here and this time, it’s all about the complexities and frustrations and amazing moments related to gender, sex, identity, hook ups, heartbreak, and true love. And who couldn’t use a little love at this time of year, amirite? Well, to be honest, these three books aren’t all about wuv (twue wuv); they are more about all the messy parts — the hook ups and doomed romances, the figuring yourself out, and the murder mysteries you might find yourself investigating from your family’s vintage record store. Although I’m not convinced that these titles are in the running for Printz medals,  I’m excited to share these books here; they have some really great moments. [Read more…]

Dreaming in Indian

Dreaming in Indian: Contemporary Native American Voices, edited by Mary Beth Leatherdale and Lisa Charleyboy
Annick Press, July 2014
Reviewed from final copy

I’m a day late in getting to this one because I just finished it. With no digital copies available, and my usual source without it in stock, I had to wait on a delivery. It was totally worth the wait, and I’m so glad it’s a physical copy (I don’t often say that, to be honest, but this is one gorgeous book; I enjoyed poring over the pages). I’m guessing that this will be a somewhat short review as a result, as I’ll continue to process…in the comments. :-) [Read more…]

Partial Non-Fiction Roundup Part Two

Hello! I hope your 2015 is going well! We are getting closer and closer to the big, Printzly reveal, you know. And in the interest of getting through a few more titles on our long (and always growing, it seems) list, here’s another nonfiction roundup. This time, we’re looking at three of the five finalists for Excellence in NonfictionIda M Tarbell, Laughing at my Nightmare, and Popular. (We’ve already checked out Port Chicago and the Romanovs aallllllllll the way back in 2014.) They all three show a wide variety of topics covered for teens in nonfiction, and also all three have compelling, particular perspectives on our world.

[Read more…]

Partial Non-Fiction Roundup

We’ve got a small list of nonfiction titles to go through today — all with starred reviews, and two on year’s best lists. These are all good non-fiction, solid reads. I liked them. Understand: these are no frogs here, and I enjoyed the kisses very much. Buuuuuut… I’m not convinced that they’ll be talked about in a major way at the Printz table. [Read more…]

Althea and Oliver

Althea and Oliver by Cristina Moracho
Viking, October 2014
Reviewed from final copy

This book really amazed me by being a story that is bigger and harder and rougher and rawer than I thought it would be. It’s been named for two year’s best lists, and garnered three starred reviews, so it’s not just me feeling amazed. Althea and Oliver is a debut book that went far darker than I expected, and did so intelligently and memorably. While it’s not a perfect read, the more I think about this one, the more impressed I am.  [Read more…]

Glory O’Brien’s History of the Future

Glory O’Brien’s History of the Future by A. S. King
Little, Brown, October 2014
Reviewed from an ARC

OK, can I confess something? When I’ve tried to describe Glory O’Brien, I’ve started to feel like maybe I’m Stefon because there’s a lot going on here. A LOT: bat drinking, dystopias, politics, graduation, a dead mom, warring families, reclusive fathers, feminism, slutshaming, art, hippies, and STDs. Like, where are the Furbies and the screaming babies in Mozart wigs?

Which is not to say I’m not taking this review seriously (Stefon is always deadly serious anyway, right?) — with six starred reviews, with three placements on year’s best lists, A.S. King’s newest is getting a lot of love. Only, while I loved the wild ride of this read at first pass, as I’m writing this review now, it’s not entirely working. The things I loved are still there, but I have some problems and questions that are making me think twice as I write.  [Read more…]