Karyn just posted an impressive roundup of last minute reading, so I’m chiming in with some more. With Monday morning’s announcement looming large, it seems like everyone is trying to sprint through their last minute reads in order to feel prepared. [Read more...]
Karyn wrote about the long slog of winter break reading just before a conference/blog deadline. I understand her image, but I think I spend winter break/early January more like a muppet: waving my arms around in a flurry of indecision (and, sometimes, stress because I’ve put off so much committee reading. Blerg!); now’s the time when we’re supposed to be firming up our thoughts on books and able to talk intelligibly about the year as a whole and how any given title fits into it. (Uh, but no pressure, right?)
I actually spent a good portion of my own break trying to catch up, at last, on the nonfiction books on our contenda list. I got to read about deadly diseases (well, one), certain death in the Arctic (well, practically certain!), and a young woman’s experience of the civil rights movement. These are all strong books — engaging reads, beautifully designed (I think; I actually read two of these titles as ebooks, so I’m making a few assumptions based on what I saw on my phone screen and what other people have said), important and enduring subjects — so if the Printz process is about winnowing down, I definitely have my work cut out for me! [Read more...]
Can I take an unrelated-to-anything moment to say how pretty the new blogs are? We’ve been hearing a lot about the new look behind the scenes, so to actually see it — and see how quickly it all came together — is so exciting! Yay for nice, new things, eh?
Of course, I’m actually here to talk about A.S. King’s newest, Ask the Passengers. By my count, it’s received two stars and is included in the buzz portion of our contenda list (as a past honoree, King’s an auto-contender, meaning we’d look at anything she has out, no matter the number of stars). For today, I have a lot of raves and a few questions. Since it’s on our Pyrite short list and we’ll be talking about it again very soon, maybe you all can help me answer some of those questions! [Read more...]
With five starred reviews, this was an easy auto-contenda to spot. Rappaport looks at the active, heroic roles Jewish people played during the years of the Holocaust. She shares 21 stories — many involving teens and young children — of the Jewish Resistance that took place across Europe during the Second World War. In a year that has been tremendous for nonfiction writing for teens, this is an important title. It’s a memorable read, and it’s a beautiful book. In the end, though, I don’t think I would be able to make the case for Beyond Courage if I were sitting at the Printz table on the RealCommittee. [Read more...]
You know a book’s a big deal when the visiting public librarian gives it a shiny booktalk and then all the students want to do is keep hearing about that book, to the exclusion of all the other books said librarian brought. That book is this book: every day. Levithan’s latest has three stars, and is on a slew of year’s best books lists. It’s on our shortlist, too, so we’ll be looking at it again in just a few weeks. (I have to admit, I’m really happy about that, because I think that a few weeks of sitting with this book will help me digest it a little. I just finished it and I suspect that my enjoyment of it is clouding my Printz-vision. Well, that and the fact that I just plain enjoy reading David Levithan’s books.) [Read more...]
As a quick reminder, we only have a little time before our Pyrite Printz nominations close, so if you have a book that knocks your socks off this year, you should head over to the comments to let us know!
But the real purpose of this post is to talk about Jodi Lynn Anderson’s Tiger Lily. We’ve got a retelling of Peter Pan that focuses on Tiger Lily. I pretty much snatched this out of Karyn’s hands when it came and haven’t given it back. I wrote about Tiger Lily way back when, mentioning that I wasn’t totally sure about it as a contenda, but that I really loved the way it played with the source material (more on that soon!). At this point, it’s got four starred reviews, so it’s an auto-contenda. [Read more...]
Alright, y’all, I’m having a rough blog post, OK? Because I have here two books that I thoroughly, thoroughly enjoyed reading for myself. But when I switch to my magical Printz-o-vision, neither Keeping the Castle nor For Darkness Shows the Stars stands up to a more critical analysis. Pity me, the poor blogger, who has to write up why these books that are decidedly entertaining reads just don’t work in the context of our blog. Boo!
For Darkness Shows the Stars by Diana Peterfreund
Balzer + Bray, June 2012
Reviewed from a final copy
Let’s start with Diana Peterfreund’s For Darkness Shows the Stars. It’s a retelling of Persuasion, set in a dystopic future. This title got one starred review and a lot of love in our comments — ha, and the last time that happened, I ended up reviewing Where Things Come Back…well, we all know how THAT ended. [Read more...]
So you know that Ship Breaker was the winner the year I served on the RealPrintz committee, right? And I can be a mature blogger — mature enough to admit that I wonder if my affection for “my” winner skews my reading of Ship Breaker’s companion book, The Drowned Cities. I know I’m not alone: four starred reviews, nice write ups in the lots of different newspapers…this is a book that’s getting a lot of love from a lot of people. It’s about to get some more love from me. [Read more...]
Well, perhaps less of a round up than an offering of two books — two books that I don’t think will go the distance in PrintzLand (although of course only time will tell). We’re looking at the Freedman book on Lincoln and Douglass and the Aronson book on J. Edgar Hoover. My problems with each are…interestingly contradictory, I’m afraid. (And in my struggle to work through all of this, I find myself wishing I could just link to all the amazing, inappropriate, unhelpful but hilarious videos I can find. Forgive me, you guys. And thanks, Spielberg, for releasing a movie at the perfect moment for this blog post. How timely that Lincoln is so zeitgeisty.)
And at the risk of destroying all blogging creditability up front, I will also admit that nonfiction is not at all my area of reviewing expertise. I was a history major in college, but that was a long time ago, and I don’t feel entirely comfortable looking at nonfiction from a literary perspective. Of course in PrintzLand we start and end with Printz policies and procedures. But in an effort to feel a little more prepared to write this blog post, I also took a look at YALSA’s Excellence in Nonfiction Award policies. “The title must include excellent writing, research, presentation and readability for young adults.” OK, check. Do you feel ready? [Read more...]
By my count, Year of the Beasts has received two stars; it’s in the buzz portion of our contenda list. Some of that buzz, I know, has been from me to Karyn: Cecil Castellucci is always doing interesting work, and Nate Powell’s Swallow Me Whole blew me away a few years ago and I can’t wait to read it, I kept saying. I’ve actually been carrying this book around in my bag for months, starting it and then stopping because…well, I don’t know why, exactly. I just wanted to keep reading it, I think. (Don’t look for sense-making there.) So it seems having a hard deadline for a review is a good thing for this type of nonsensical situation. I don’t think Karyn wants to hear any more buzz from me until I can also tell her I actually read the book.
We have: summer, the end of school, the arrival of the carnival, sisters, friends, boys. But then fall arrives, and so do tragedies, Greek myths, panels and pictures. Told in alternating chapters, this is the story of Tessa and Lulu. Castellucci writes the summer chapters, the Then chapters. Tessa and Lulu had a hard summer; Tessa is the older sister, the plainer sister, the sister with a crush on Charlie. Lulu is younger, prettier — and Charlie only has eyes for her. Powell’s art takes over the fall chapters, the Now chapters, except that Now Tessa’s monster self is apparent; she is transformed into Medusa and her hard eyed glare turns friends and family into stone figures. Her friend, Celina, is a siren, a mermaid on a seashell. And Tessa can’t take her eyes off the Minotaur, a wounded, wandering figure that doesn’t want to speak to her. [Read more...]