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Someday My Printz Will Come
Inside Someday My Printz Will Come

Midwinterblood

Midwinterblood 200x300 MidwinterbloodMidwinterblood, Marcus Sedgwick
Roaring Brook Press, February 2013
Reviewed from final copy

Let me start with a provocative question: Can a book be so literary that it fails at being a book?

Midwinterblood is full of the sorts of things I’ve hardly thought about since my days as an English major: tropes, motifs, archetypes, foreshadowing, even an ekphrastic device (ok, I had to look that one up, but it’s there; it’s a work in one medium commenting on a work in another medium, here prose commenting on a painting). It’s also told in reverse chronological order, as a series of short pieces that move back in time and seek to illuminate one another and some deeper thematic scope.

Sometimes it’s so full of these things that they seem to crush any cohesive narrative, but at the same time there’s a nimble literary magic happening here that has garnered five starred reviews* and make this one feel like a serious contender.

I’ve read Midwinterblood twice now. I’ve marveled, I’ve complained, I’ve taken extensive notes, and I still waver between work of art and stinking hot mess.

[Read more...]

White Crow

crow 150x150 White CrowIdeally, if I were really on the Printz Committee, I’d be done reading all the contendas by this point. Actually, if we’re going for ideal, I’d have been done for a couple of weeks. At this point in the year, it’s time for very serious rereading: really going through the contendas in detail, weighing various elements, moving past first impressions into a firmer opinion of each title.

And, you guys, that would be super helpful because I could do with a reread of this title. (I feel like I’ve been saying that a lot lately.) But let’s get started. [Read more...]