Can I rave for a minute? What a title! And what a cover, too. Medina manages to blend a lot of elements beautifully and smoothly. With four stars and a place on the NBA longlist, this read has a lot going for it. And a lot of people rooting for it — there’s a lot of love from all of us here; it was mentioned as an early frontrunner in the comments. But the sparkles of a disco ball can be very forgiving; in the harsh light of the Printz criteria, how well does it stand up to all the love? [Read more…]
Today we’re running a roundup of books that we think are worth discussing because they are in the top, say, 100 of the year. But they aren’t quite there, and we don’t think they’ll go the distance. And to make the post about more than just a series of short reviews, we’ve limited today’s roundup to books that have a lot to offer but seem to lose out on Printzliness in the name of message or purpose. Every time we discuss these books, we find ourselves focused on a central issue not of writing but of the world: an issue discussed in the books at hand but not really of them.
And as we discussed this, we found ourselves comparing these books to the problem novels of yesteryear, because like them, what the books are about seems to weigh more heavily then how they are written, even if the how is light years beyond the old chestnuts. And really, these books offer so much more than just the issues at their hearts — but we were struck by the ways that the social issue at the heart of the text stuck in our heads the longest, outweighing the literary elements. Is this about our own biases, seeing and holding on to the part that feels like a news soundbite — and therefore, easy to remember and the sort of thing that we are reminded of by the outside world on a sadly too frequent basis — or is it an issue in the writing?
Let’s see! [Read more…]