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Someday My Printz Will Come
Inside Someday My Printz Will Come

More Morris, or Rachel Hartman on Charm & Strange

A few days ago on Twitter, Rachel Hartman (yes, you know, that Rachel Hartman, who brought us last year’s best debut — and one of last year’s best books, period), Seraphina, asked if we were doing a Morris shortlist roundup this year. The answer, sadly, was not really, because our Morris readership hasn’t been thorough enough. Out of that conversation came the following guest post, in which Rachel reviews Charm and Strange, the most Printz-buzzed of the Morris shortlist titles.

For those of you who don’t stalk follow Rachel on any social media, a few salient biographical details and some links: In addition to Seraphina (which won the Morris Award last year AND a Printz Honor) and also the author of the forthcoming sequel (in March 2015. I KNOW) Shadow Scale. She can, as mentioned, be found on Twitter, where she procrastinates, talks about music and writing, frequently makes me laugh, and is a general source of things that are Good. But if you really want all the details, you should head over to her website and blog, this month featuring Morris shortlist authors and books — in fact, she’ll be posting an interview with Stephanie Kuehn later today! But enough of the introduction and on with the write-up.

I asked Karyn whether y’all would be doing any kind of Morris roundup this year. She told me time was tight, so probably not. I’ve only read Charm & Strange from this year’s Morris list, but I volunteered to review it because I’m on deadline. My procrastination knows no bounds.

There will be spoilers ahead — to my great relief, since this is a difficult book to discuss without spoiling — but let me try to give you the spoiler-free condensed version first. I loved Charm & Strange, and that’s saying a lot. I’m a fantasy person. It takes a very special real-world, “problem” novel to keep my attention at all, let alone make me love it. This is an intensely painful book to read, however. In terms of awards, I don’t know. I never predict anything correctly. You could certainly write a multi-page paper on this book — or on the psychology, philosophy, and metaphor contained therein — and yet I don’t think I could bear to re-read it. I’m not sure how it would hold up if I did, since so much hinges upon the reader and Win discovering the truth together. Once all the terrible truths are revealed, is that all there is — and is that enough?

Come with me under the fold, and let’s dig into this thing!

Charm & Strange, Stephanie Kuehn
St. Martin’s Griffin (Macmillan), June 2013

First things first, let’s say the words we can’t say: this is a book about sexual abuse and suicide. This book should come with a trigger warning, and yet any warning would spoil it. Win doesn’t know there’s sexual abuse and suicide in his story either. He can’t remember what happened. He’s a bundle of strange effects without any causes, and now he’s stuck: he can’t move forward without addressing who he used to be — an angry young boy named Drew — and what really happened.

I admit, I deduced most of what was up before Win did. Missing time? Check. Inexplicable rages? Check. His reactions to the people around him not matching up with reality? Yup. Somebody’s been dissociating, big time. I thought the dissociative aspect of the book was well done. It is hard to write a character who represses memories and zones out of the traumatic moments of his life. Trust me; I’ve tried it. Kuehn conveys the fogginess of the experience without making the book foggy for the reader. We see more clearly than Win does as Kuehn drops perfect, poignant clues — Drew smiling in an early photo, Win refusing to take meds for his motion-sickness. They’re like little lighthouses, guiding you through the murk. It’s easy to gloss over them as irrelevant, but they come back to haunt you later.

Win’s mind has created a myth as a buffer against the unspeakable truth. He believes he comes from a family of werewolves and that it is only a matter of time before he, too, turns into a wolf. It looks crazy at first, but as the book proceeds, you begin to see how it’s a desperate stab at sanity.

As a writer of fantasy, I’m keenly interested in myth and metaphor, and I liked how this book got me thinking about them from a different angle. I interviewed Kuehn for my blog, and she hastened to point out that there is a big difference between an artist deliberately choosing a metaphor and Win’s involuntarily lunge at self-preservation. Fair enough; what Win does isn’t art. But artists don’t always choose every metaphor deliberately either, and especially in fantasy, it’s the most purposeful metaphors that often fall flat. It’s the accidental metaphors, the mythic associations dredged up from the wordless parts of ourselves, the ones we don’t notice until after we’ve made them, that speak our truths most eloquently.

So here’s what I see as a possible impediment to Charm & Strange as an award contender: sometimes the marionette strings show very clearly. How much will differ, of course, depending on the reader. In my case, I’m well-versed enough in psychology and philosophy that many of the book’s machinations were transparent. When Kuehn references Wittgenstein, I know we’re delving into ideas about language and the challenges of understanding each other. Maybe Win himself didn’t deliberately create the wolf metaphor, but Kuehn did, and it’s not particularly subtle.

I don’t mind this, myself — I kind of enjoy being able to see what a writer is doing — but it hurts re-readability a bit. I feel like I saw all the clues; I don’t have to go back and re-read everything in a new light. This obviousness did not hamper my emotional response. I was ugly-crying like an ugly baby at the end, and I’m not ashamed of it. If the award-bestowers are looking for books that show themselves more complex and subtle with each re-reading, however, I’m not sure this book is that. Uncovering the truth with Win is an intense experience, but ultimately a singular one for me.

About Karyn Silverman

Karyn Silverman is the High School Librarian and Educational Technology Department Chair at LREI, Little Red School House & Elisabeth Irwin High School (say that ten times fast!). Karyn has served on YALSA’s Quick Picks and Best Books committees and was a member of the 2009 Printz committee. She has reviewed for Kirkus and School Library Journal. She has a lot of opinions about almost everything, as long as all the things are books. Said opinions do not reflect the attitudes or opinions of SLJ, LREI, YALSA or any other institutions with which she is affiliated. Find her on Twitter @InfoWitch or e-mail her at karynsilverman at gmail dot com.


  1. Charm & Strange impressed me as a very well-made book. A few years ago, someone floated the term “neurological novel.” If that genre exists, this is a great example. The same can be said of Sex & Violence and Dr. Bird’s Advice to Sad Poets. I think it is very important to consider how young reader might encounter books like these; their experience might be very different than that of an “aged” reader. The discoveries of how the pieces fit together, of how the mind of the protagonist is revealed–not just to the reader but to the protagonist him/herself–those are significant literary and personal experiences. It is also worth noting that all these Morris contenders feature beautifully developed voices. My admiration for all of them is intense.

    • Absolutely, Blythe. A younger reader’s response is something I really felt unqualified to speak to. I asked Steph about that in the interview, because I want to know, but she didn’t know either. I love the idea of a “neurological novel” – not least because there are parts of my own work inspired by neuroscience – and this book really dovetailed well with my own preoccupations.

      There is also a kind of story I really don’t enjoy, which I often call a “punchline novel”, where it’s all about – ta-da! – the truth or the twist or the big revelation. The word “punchline” is completely inappropriate for this book, of course, and as far as Novels of Revelation (is that a better name?) go, this is pretty much the best I’ve ever read. Typically, I’m guessing way more interesting possibilities and I find the reveal anticlimactic (The Knife of Never Letting Go, The Demon’s Lexicon), and this book did not have that problem at all. But as far as rereading goes (or re-viewing — The Sixth Sense and The Sting come to mind), it’s never the same again.

      Not that there’s necessarily anything wrong with that! I only ever gave birth once, and I never intend to do so again, and I would still put childbirth up there in the top five most moving and wondrous experiences of my life. Something doesn’t have to be infinitely re-experience-able to be excellent, and I hope I didn’t imply otherwise. I was trying to come up with the possible fly in some otherwise magnificent ointment, and like all these things, one reader’s fly is another’s delicious, delicious protein source.

  2. Karyn Silverman says

    This review makes me like the book better, and consider it a stronger candidate. I read Charm & Strange thinking of Larbalestier’s Liar, which plays with some similar motifs and ideas, and it took too long for me to realize that C&S is definitely NOT paranormal at all, so I think some of the psychology escaped me. This recontextualizes much of what I was reading as misdirection (and reading for clues to a different question than the one actually pointed to) into tight psychological exploration, and it’s a much stronger book as a result. I think this and Sex & Violence seem to be the strongest Morris titles this year, although I’ve only read this one cover to cover of the five, and I’m going to go out on a limb and predict this is the one that will take the sticker.

    • We will all be waiting with bated breath! Booo on the time zone differential this year, though. I’m often up at 5, but not always, and if I AM, I really need to be working and not watching the webcast…

  3. Dying over here because I want to read this review SO BADLY but I’ve only finished about half of the book! Going to try to hurry up and finish today so I can join the discussion!

  4. I didn’t find knowing hurting the re-readability. Knowing made me want to flip the book to the front and read it all over again.

  5. What are your thoughts on the dream Drew has when his family turns to wolves? Were the cousins involved in/aware of sexual activity?


  1. […] have also written a spoiler-ful review over at Someday My Printz Will Come. Don’t look at that unless you’ve read the book, because this is one that really […]

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